Critic Reviews

Gebo and the Shadow is a film about concrete, hard, and material things, as well as one about illusions.

It defines Manoel de Oliveira's late period, during which his movies have continued to shrink in size and scope while remaining thematically expansive.

Mr. Oliveira relishes the formality of conversation, and there is great pleasure to be found in listening to the actors and watching the small adjustments of posture and gesture that accompany their words.

De Oliveira evokes the suffocating, stultifying confines of the family dwelling all too convincingly, to an extent that requires considerable indulgence and attention from his audience. This investment is duly repaid in the second half.

Though perfs and dialogue remain somewhat theatrical, the combined acting prowess of the trio ensures the emotions are heartfelt.