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SummaryDonato (Wagner Moura) works as a lifeguard at the spectacular but treacherous Praia do Futuro beach in Brazil; Konrad (Clemens Schick) is an ex-military thrill-seeker from Germany vacationing with a friend. After Donato saves Konrad from drowning, but fails to save his other friend, initial sexual sparks give way to a deeper, emotional connection... Read More

Futuro Beach

Metascore
Generally Favorable
64
User score
Generally Favorable
7.3
My Score
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Metascore
Generally Favorable
55% Positive
6 Reviews
45% Mixed
5 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Feb 27, 2015
88
RogerEbert.com
Ultimately, Futuro Beach is a film about displacement and identity, love and its costs. Its considerable satisfactions, though, come mainly from the way the story is told, which spells nothing out, and in fact is so reticent that the viewer is constantly drawn into the creation of meaning.
Feb 26, 2015
80
Variety
Its visual and sonic verve more than compensate for some overworked symbolism.
Feb 26, 2015
80
The New York Times
Balancing its abstract storytelling with commanding visuals (by the gifted cinematographer Ali Olcay Gözkaya), Futuro Beach explores liberation and reinvention, the tug of familiarity versus the allure of the foreign.
Mar 13, 2015
75
San Francisco Chronicle
Futuro Beach is part of a welcome wave of European and South American films that center on gay characters, yet deal with universal themes and offer a certain sensibility that would please any art-house enthusiast.
Feb 24, 2015
50
The Dissolve
The images are gorgeous, but they’re gorgeous in a void; unlike in The Silver Cliff, the intended connection to the people who inhabit them is missing. Possibly Aïnouz let autobiographical impulses lead him astray. Or maybe he’s an avant-garde filmmaker at heart.
Feb 22, 2015
50
Slant Magazine
It masks depleted drama under a progression of long takes, various music cues, and a three-chapter structure that grows successively tedious.
Apr 16, 2015
40
Los Angeles Times
If director-co-writer Karim Aïnouz has set out to depict soulless gay lives, he has more than succeeded.
See All 11 Critic Reviews
User score
Generally Favorable
86% Positive
6 Ratings
0% Mixed
0 Ratings
14% Negative
1 Rating
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Mar 22, 2015
3
foxgrove
A long and slow exercise in tedium, this gay themed film is divided into three chapter headings and set between the differing cultures of Brazil and Germany. The slight story, which had the potential to be so much more never uses dialogue when a visual will do. This is in no way meant as a compliment to the cinematography which is actually just journeyman work. Rather the film is full of so called ‘evocative’ imagery much of which is just pointlessly extended at the expense of anyone actually saying anything. There are endless shots of nothing in particular like the sea, wind turbines, a plane in the sky, seagulls hovering, people walking, people staring, people bonking. Get the picture? Good, because the picture is all you get from this ambiguous and often irritating angst ridden drama. Occasionally a scene threatens to become interesting (chapter 3 promises the most) but before you know it we are back to the cinematic equivalent of watching paint dry. The gay market is catered for with much shirt less ness and sex, but anyone expecting any kind of relationship to be explored meaningfully are watching the wrong movie. The leads also lack charisma, so by the time the unsatisfyingly ambiguous ending finally arrives, any discerning audience member will already be contemplating what they are going to do next.
See 1 User Review
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  • Coração da Selva
  • Hank Levine Film
  • Watchmen Productions
  • Detailfilm
Feb 27, 2015
1 h 46 m
Prêmio Guarani
• 3 Wins & 10 Nominations
Cinema Brazil Grand Prize
• 1 Win & 7 Nominations
SESC Film Festival, Brazil
• 2 Wins & 2 Nominations
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