Critic Reviews

Its scrupulous, humane sympathy gives this small, sorrowful film a glow of insight and a pulse of genuine, openhearted curiosity.

Quietly devastating picture reps a natural draw for gay, Jewish-interest and upscale audiences.

Mostly, though, it wins with excellent performances: Strauss never overplays his character's internal tension, nor does Danker camp up his youthful virility.

Quiet, sober and tense, the movie makes some interesting points -- contrasting the frenzied hookups of the two men with the butcher's rote, dismal lovemaking with his wife as their bodies are carefully hidden under sheets -- but it lacks the emotional firepower of "Brokeback Mountain."

The observational detail is impressive and the two men's growing affection is well-drawn but Takerman's depiction of the conventions and strictures of religion and the impulses of two closeted gay men are too understated to achieve universality.

Call it "Brokeback Talmud"--not just for its taboo-busting depiction of a gay affair between Orthodox Israelis, but because it adopts Ang Lee’s slow-burn seriousness almost to a fault.

To say the movie is understated is an understatement, yet it’s justified.