Critic Reviews
70
Metascore
Generally Favorable
positive
17(68%)
mixed
8(32%)
negative
0(0%)
Showing 25 Critic Reviews
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Metascore
Metascore
Apr 9, 2015
91
Dior And I isn’t any kind of hard-hitting exposé. Tcheng — who previously co-directed another style doc, "Diana Vreeland: The Eye Has To Travel" — is seduced by this exclusive world, and he communicates that allure with undeniable flair.
Apr 7, 2015
90
Dior and I is a great fashion movie, but it's also a superb picture about the art of management, applicable to any field.
Apr 9, 2015
88
The heart of Dior and I is with these seamstresses and cutters, artists in their own right.
Apr 24, 2015
88
Tcheng finds Simons in moments of haughty self-confidence and tremulous self-doubt.
Apr 30, 2015
88
The movie, not to mention the company, deserves praise for showing the challenges as well as the triumphs; Dior and I doesn’t shy away from conflicts when they arise. This isn’t marketing material. It’s a real look at a fascinating line of work.
Mar 30, 2015
83
Dior And I succeeds in bringing this exclusive world down to earth, knitting the viewer with its needles and threads and making a highly relatable story, no matter where you come from or how you feel about fashion.
Apr 7, 2015
83
That this narrative is intense and entertaining to audiences — even those unfamiliar with the fashion world — is Tcheng's considerable accomplishment.
Mar 30, 2015
80
As carefully crafted as the clothes is Tcheng’s well-considered direction, privileging the creative process over stereotyped glamour or backstabbing.
Apr 8, 2015
80
For all its grand statements about artistry and identity, Dior And I is most effective as a study of the hard work, both physical and emotional, that goes into creating something new.
