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SummaryIn Deadline, directors Katy Chevigny and Kirsten Johnson tackle the volatile topic of the American capital punishment system with intelligence, compassion and balance. Furthermore, they capture the extraordinary transformation of one man, former Illinois governor George Ryan, who holds the power of life and death in his hands. (Big Mouth Product... Read More

Deadline

Metascore
Generally Favorable
71
User score
Generally Favorable
7.2
My Score
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Metascore
Generally Favorable
91% Positive
10 Reviews
9% Mixed
1 Review
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
80
Variety
Potent docudocu by Katy Chevigny and Kirsten Johnson makes a strong case against capital punishment by pointing up the fallibility of the justice system, while offering an inspiring portrait of one politico who actually seems guided foremost by conscience.
75
New York Post
So potent, it could change the mind of even the most staunch defender of capital punishment.
User score
Generally Favorable
70% Positive
7 Ratings
10% Mixed
1 Rating
20% Negative
2 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Mar 11, 2026
10
nodkrai
A good album and new music touch form blackpink and first hear was strange but after repeat many time is ear catching
Mar 4, 2026
5
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75
San Francisco Chronicle
There is no rage here or Michael Moore-like bluster. Instead, Deadline is a straightforward, compassionate look at a volatile subject.
75
Chicago Sun-Times
A sober, even low-key documentary about how the American death penalty system is broken and probably can’t be fixed.
70
The New York Times
Not as dynamic as it should be, given the punch of the story it tells, but it makes its points.
70
Village Voice
What Deadline lacks in heft it makes up for in common sense.
60
Film Threat
Deadline contributes reason and passion to the ongoing debate about whether civilized nations should employ the ultimate punishment and how justly it is administered.
See All 11 Critic Reviews
Jul 8, 2018
2
FilipeNeto
This film begins in a rather uncharacteristic way: a young girl who is a screenwriter and is trying to recover from a destructive love relationship decides to isolate herself in an old and remote mansion in order to be able to finish a new script within the deadlines. However, the house hides a mystery surrounding the previous tenants who will tinker with her head. Okay, nothing new here. It's the usual light horror thriller, blending "haunted house" with "psychopathic killer coming to kill the girl", seasoned with "found footage" and served with such a lack of originality that it becomes very predictable and lacks any tension or suspense. How am I going to feel tense or stay tuned to the screen if I know what's going to happen? Things get better when the story of Lucy, the previous inhabitant, begins to develop, giving a dramatic and human touch to a story very empty until then. In a way, we are more able to care for Thora Birch's character than the main one, played by Brittany Murphy. Another problem is the tremendous slow pace, as if the director wanted to "fill the sausage" just to get a movie lasting more than an hour. Combine that with the predictability I've mentioned and you'll understand that it turns out to be boring most of the time. As for the cast, Brittany Murphy does not surprise me or show great interpretive ability (she was never close to being a great actress and the tabloid news about her death can be more interesting than her filmography), Birch complied with which was required of her, but didn't particularly shine. It's not worth talking about Marc Blucas, who played a papier-mâché villain.
See All 3 User Reviews
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  • Arts Engine
  • Big Mouth Productions
Jun 4, 2004
1 h 30 m
Black Point Film Festival
• 1 Win & 1 Nomination
International Documentary Association
• 1 Nomination
Sundance Film Festival
• 1 Nomination
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