
SummaryWhen Lars is cheated out of promotion to sergeant following rumors about his unbecoming behavior towards some of his men, he decides to leave the army. Back home, his overly proper suburban parents succeed in driving him nuts in record time, as they do everything in their power to sweep the embarrassing incident under the carpet. By chance, Lars... Read More
Directed By:Nicolo Donato
Written By:Rasmus Birch, Nicolo Donato
Brotherhood
Metascore
Generally Favorable
68
User score
Generally Favorable
7.1
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Metascore
Generally Favorable
75% Positive
3 Reviews
3 Reviews
25% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
90
If you compared the two main characters with the cowboys in "Brokeback Mountain," they would be ignoble versions of Ennis del Mar (Jimmy) and Jack Twist (Lars). Like their American counterparts, they barely know what to do with their passion.
70
Nicolo Donato's bleak yet compelling Brotherhood, an unsparing neo-noir with the structure and inevitability of classic drama.
70
Sounds trashy, sounds silly, but first-time director Nicolo Donato, who wrote the screenplay with Rasmus Birch, and a superb ensemble refuse to wink, resulting in a film that constantly subverts expectation.
40
Adding hot naked men to a predictable narrative doesn't equal titillating or taboo; it just means you've dressed up a messy melodrama
User score
Generally Favorable
57% Positive
4 Ratings
4 Ratings
43% Mixed
3 Ratings
3 Ratings
0% Negative
0 Ratings
0 Ratings
Mar 21, 2012
8
A gay romance happening inside a Danish **** clique, what a crack idea! The film intriguingly narrates a compassionate experience of a former Danish serviceman Lars (Thure Lindhardt, the winsome blond from ANGELS & DEMONS 2009), whose passionate courtship with Jimmy (superbly played by David Dencik from A SOAP 2006, another 8/10 film from Denmark, a frenzy macho role sheerly contrasts with his transsexual image in the latter film), who is the fervent skinhead among a gay-bashing **** group. (Speaking of ****, my downright ignorance thwart me from the knowledge of how exact the film tackles with the thorny issue, judging by the film, it is basically understated I suppose). There are abundant cinematic conflicts in the plot, although predictable, but applied deftly (by a poignant performance from the two leads and a fine-tuned handheld camera movement, it never cease trembling). An exemplary northern Europe topography and scenario imbues an obscure hue of cruelty and restlessness. The performances are solid (Morten Holst, who plays Jimmyâ




























