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SummaryLoosely based on the childhoods of Dallas Austin and Tionne "T-Boz" Watkins, TLC tells the story of a close knit group of working-class teens in Atlanta whose lives revolve around hip-hop music and roller skating.

ATL

Metascore
Generally Favorable
63
User score
Generally Favorable
6.6
My Score
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Metascore
Generally Favorable
64% Positive
16 Reviews
32% Mixed
8 Reviews
4% Negative
1 Review
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
78
Austin Chronicle
Despite a third-act tendency to gather a few spare genre clichés as it rolls along (Guns! Drugs! Angry siblings!), Robinson's film is a cut above the rest.
75
New York Post
The film mostly avoids easy laughs or simplistic characters, reminding you how few black movies claim the huge middle ground between chardonnay-sipping buppies and hardened criminals.
70
Washington Post
Notwithstanding the melodrama and the often ham-handed directing, ATL somehow works. A large part of this is thanks to Robinson's skill in evoking the hickory-smoked flavor of the ATL.
67
Entertainment Weekly
The more rink time, the better: As directed by hip-hop music-video king Chris Robinson from a story by "Antwone Fisher's" Antwone Fisher, the skate scenes are a blast.
60
Film Threat
House definitely put a smile on an insider's face, but outsiders can enjoy the ATL too. The only prerequisite here is the ability to laugh.
60
L.A. Weekly
What starts out as a lively reconsidering of the thug-life mentality ends up having as much depth as, well, one of Robinson's videos.
38
Charlotte Observer
Director Chris Robinson moves his camera aimlessly, cutting in and out of speeches as if he were just as bored as I.
See All 25 Critic Reviews
User score
Generally Favorable
56% Positive
5 Ratings
44% Mixed
4 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
May 27, 2012
4
garciatheeclect
Full of mellow drama and overacting, with internal conflicts that never really connect with the audience, this movie is basically modern blaxploitation. The dialouge isn't as corny as you would expect, and all of the actors except for T.I. did decently. However, this movie does, by any definition ****. ATL is a sad attempt to harken back to the classic urban movies, such as Menace II Society, Boyz N the Hood, and Juice; but with a twist of setting it in Atlanta. There are some funny moments, Lauren London is pretty hot, but T.I. can't really act well, and the plot isn't very good either. It's not the most terrible movie in the world, and it is possible for some people to sit through the whole thing, but even people in the neighborhood where the movie takes place probably wouldn't even watch it twice. Plus, on top of that, the drama is pointless. It leads nowhere. You never really get invested in the characters and, unlike other hood movies, the moral doesn't matter. They supposedly "grow up" but you don't feel like they actually did.
See 1 User Review
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  • Sweet Tea Pictures LLC
  • Overbrook Entertainment
  • Syndrome Studio
Mar 31, 2006
1 h 45 m
PG-13
A New American Story
Black Movie Awards
• 4 Nominations
Black Reel Awards
• 2 Nominations
Image Awards (NAACP)
• 1 Nomination
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