Critic Reviews

It’s a short drama that lurches through assorted abrupt changes in tone, temperament and relationships.

Although the internet and cellphones exist in the movie, there’s a dated quality to the premise.

It’s all rather implausible, as is how all those cinema luminaries Barenholtz once nurtured seem to have no impact on his style-free storytelling.

In addition to its unconvincing, cliché-ridden storyline, Alina takes itself too seriously.