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SummaryA stroke-afflicted filmmaker (Isabelle Huppert) is manipulated by a notorious con man.

Abuse of Weakness

Metascore
Generally Favorable
77
User score
Generally Favorable
6.5
My Score
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Metascore
Generally Favorable
94% Positive
15 Reviews
6% Mixed
1 Review
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Aug 15, 2014
100
RogerEbert.com
This is a work just as startling and potent as anything she has done to date — a powerful example of art being used to exorcise personal demons that is anchored by two stunning performances and some of the most gripping moments to be seen in any film so far this year.
Aug 21, 2014
88
Boston Globe
Huppert’s amazing performance not only masters the physical rigors and deformations of her character, but more importantly captures her cold capriciousness and the enigmatic innocence that one of Maud’s friend’s labels “perverse.”
Sep 17, 2013
83
The Playlist
Abuse of Weakness is a frustrating experience, yet one that feels utterly unique and relentlessly watchable.
Sep 17, 2013
80
Variety
Of all living actresses, only Huppert could capture nuances that alternately elicit sympathy and fierce sexual attraction to a recent stroke victim.
Aug 17, 2014
75
Entertainment Weekly
Huppert is a wonder, inhabiting every iota of rage and froideur and helplessness; if only the movie's motives were as lucid as her performance.
Aug 14, 2014
70
The New York Times
It is hard to imagine that any other actress could muster the stubborn ferocity that Isabelle Huppert brings to the role of Maud.
Oct 2, 2014
50
San Francisco Chronicle
Abuse of Weakness is 20 minutes of a great movie and another 85 minutes of nothing much.
See All 16 Critic Reviews
User score
Generally Favorable
50% Positive
2 Ratings
50% Mixed
2 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Aug 25, 2014
6
LowbrowCinema
Isabelle Huppert proves how brilliant she is with an astounding close up that seems to last forever and is truly the greatest moment in ABUSE OF WEAKNESS. This very personal and very embarassing story is true and it happened to director Catherine Breillet. Perhaps she could not face it. And therefore, ABUSE is very tame for such a ruthless director who explored terrain no one else would dare.
See 1 User Review
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  • Flach Film
  • Iris Films
  • Iris Productions Deutschland
  • CB Films
  • Arte France Cinéma
  • Canal+
  • Ciné+
  • ARTE
  • ZDF/Arte
  • Palatine Étoile 10
  • Hoche Artois Images
  • Centre national du cinéma et de l'image animée (CNC)
  • La Wallonie et la région de Bruxelles-Capitale
  • Umedia
  • uFund
  • Iris Group
Aug 15, 2014
1 h 45 m
BFI London Film Festival
• 1 Nomination
Warsaw International Film Festival
• 1 Nomination
Indiewire Critics' Poll
• 1 Nomination
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