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SummaryAn unholy alliance between two damaged souls leads them on a disturbing descent into the depraved realms of black magic. Sophia (Catherine Walker) is a grieving mother desperate to make contact with her murdered son. Joseph (Steve Oram) is an anti-social, alcoholic expert in the occult who reluctantly agrees to help her. Holed up in a remote cabi... Read More

Directed By:Liam Gavin

Written By:Liam Gavin

A Dark Song

Metascore
Generally Favorable
71
User score
Generally Favorable
6.5
My Score
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Metascore
Generally Favorable
67% Positive
4 Reviews
33% Mixed
2 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
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  • Negative Reviews
May 31, 2017
89
Austin Chronicle
It is, in fact, an instant classic, the sort of film that will make you check under your bed at night and then amplify into terror the midnight creaks and 3am breezes that unsettle every house at times, most especially yours. Highly recommended.
Apr 27, 2017
80
Total Film
With the scares stealthy, Gavin’s parable draws power from the heart’s shadows: the climax may alienate some, but its audacity is earned.
User score
Generally Favorable
60% Positive
32 Ratings
25% Mixed
13 Ratings
15% Negative
8 Ratings
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Aug 26, 2025
10
ROY-YLLANES
"A Dark Song" is less a horror film and more a grueling procedural drama about a spiritual ordeal. It stands apart from its contemporaries by refusing to rely on cheap scares, opting instead for an atmosphere of suffocating dread and a meticulous, almost painful, focus on the mechanics of occult ritual. For the discerning viewer, particularly one versed in theology or psychology, the film offers not entertainment, but a powerful, and potentially perilous, case **** Authenticity of the OrdealThe film's primary strength is its commitment to process. Based on the real-world Book of Abramelin, the narrative follows Sophia's months-long psychological and physical descent as she and the occultist Joseph prepare for a divine encounter. This is where the film finds its "truth." It authentically portrays the universal archetypes of a spiritual quest: the unwavering discipline required, the crushing isolation, the agonizing periods of doubt and despair, and the slow, painful stripping away of the ego. The film forces the viewer to confront the reality that any genuine spiritual ascent requires a torturous descent into the self. It validates the principle that suffering is not an obstacle to transformation, but the very mechanism of **** Critical Flaw: Compulsion vs. SurrenderHere, however, the film must be viewed with extreme analytical caution. The entire operation is built on a foundation of human will—Sophia's will to contact her deceased son. The ritual is an attempt to compel grace, to treat the divine as a system to be hacked and manipulated for a desired outcome.This is the film's central, and most dangerous, theological error. It presents a path of compulsion rather than surrender. The protagonist's immense suffering is channeled into an act of supreme spiritual pride, not humility. For viewers with a background in traditional faith, this is a critical distinction. The film is a masterful depiction of what happens when the human desire for control is projected onto the divine. It is a journey not towards God's will, but towards the temporary deification of human will.Recommendation: A Viewer's MandateWe recommend "A Dark Song" not as a casual horror film, but as an advanced intellectual and spiritual exercise. It is essential viewing for those who study the intersection of faith, psychology, and the human hunger for meaning.However, we issue this recommendation with a stern mandate: one must protect the mind. Do not watch this film passively. Watch it as an analyst. Deconstruct its theological arguments, question its protagonist's motivations, and hold its depiction of spiritual mechanics against a framework of true divine sovereignty. The film's value lies not in its conclusion, but in the rigorous intellectual and spiritual self-examination it demands of its audience. It is a dark song, and one must be firmly rooted in the light to appreciate its composition without being drawn into its dissonant melody.
Jul 28, 2017
10
AthanasiosT
Dark poetic horror. That's how I can characterize this excellent film. Atmospheric with a realistic approach to magic rituals. Directing, acting, photography of a very high level. I'm glad to discover modern horror films, that try to abstain from splatter and SFX, while creating a transfixing horror build-up. It reminded me of "The Witch"; the other horror masterpiece I recently saw.
Apr 27, 2017
80
The New York Times
The movie dives into the black arts with methodical restraint and escalating unease.
Mar 24, 2017
80
We Got This Covered
A Dark Song digs its claws in and never lets go, finding horror in rituals, personal reflection and burning black-magic sensations. It’s dreadfully inviting from start to finish, with an almighty climax at just the right time.
Apr 26, 2017
60
Village Voice
The performances are strong and the scenecraft absorbing.
Apr 27, 2017
50
Los Angeles Times
The two leads are resolute soldiers about it all, but they’re dutifully edgy elements in a stylist’s frame instead of fully realized characters living out what is supposed to be the riskiest time of their lives.
See All 6 Critic Reviews
Jul 15, 2018
9
juanuxsape
Great acting and strong story, although it’s a sometimes slow movie, it delivers some beautiful scenes and not horrifing, but intense moments which make this movie unique in it’s own way.
Aug 18, 2017
6
LeZee
The dark as it gets! It was too slow, one of those films that tests your patience. Not your regular horror flick, but the ingredient was little different than the usual for such theme. A limited cast film and most of the story takes place in an isolated mansion somewhere in Ireland. Where the two people assemble to do some kind of ritual to open the door for the dark force, as well as opposite to that with a reason. Very challenging attempt, had to go through many troubles in the process. But how it all turns out, whether they achieve what they were planning for is what takes us to the final stage where it comes to end with a tiny twist. This is an independent Irish film. Feature film debut for the director. I don't recognise any of two actors, but they were good. Under a small cost, the film had a better quality. Well created atmosphere, the suspense kept the narration to go all way to the finale. Except the opening, the following parts lagged in any kind of development, but once the final act had begun, the scenario had changed and favoured to end high. I would say, that's what saved this film. Otherwise, I was getting ready to bash it. Yet not the best ending, an acceptable one regarding earlier section of the narration. So a decent film, that can be watched once. 6/10
Aug 8, 2018
5
JLuis_001
Some critics had made me believe this was actually a pretty good film but the truth is that beyond the interesting premise, the narrative is too slow and is only handled as small and disordered bricks building a climax and a conclusion that fails to feel satisfactory. I honestly expected more.
Dec 9, 2017
4
kuehnau
A Dark Song has a really interesting concept, two people embark on a journey using dark magic and rituals in order to get what they both want. As a person who really likes additional details and mechanics on how these things worked, what really kept me hooked was the contant explanation of what they were doing and why. Unfortunately, that doesn't really help the move. It's fairly slow paced, it takes a long time to lead up to anywhere and by the time you get to the end of the film, you are just left feeling empty. All that build up and then the movie just kind of poops the bed.
Oct 4, 2018
3
jessisjudgey
[SPOILER ALERT: This review contains spoilers.]
See All 7 User Reviews
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  • Bord Scannán na hÉireann / The Irish Film Board
  • Ffilm Cymru Wales
  • Samson Films
  • Tall Man Films
Apr 28, 2017
1 h 40 m
Not everything can be forgiven
Monster Fest
• 2 Wins & 2 Nominations
Fantasporto
• 2 Wins & 2 Nominations
Neuchâtel International Fantastic Film Festival
• 2 Nominations
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