santasa

It's a bad film, fullstop. But to respond to these "ant-woke" nationalists and right-wing defenders of manliness and Europe: not only it's not "woke", it's a Western nationalistic, white supremacist, Germanic mythomaniacal trash I haven't seen for a while in cinema. First, a white Germanic super-woman with a snow-white hair killing those lowlife giant Slavs warriors as if they are of cardboard, and then celebration of the ugliest bit of Japanese violent culture, which was always West's white supremacists' and nationalists' fascination is just about a right amount of barbaric other that fit the mythology of Germanic western suprematism. F this movie and this right-wing celebration of Germanic female masculinity, and f these unintelligent commenters who misinterpret the ideology of the film because they are, well, "uninformed".

This Snyder is completely delusional - what a hell is this ? It is beyond me who is willing to give this guy any money after those deplorable Israel vs. Iran+Arab-Muslims films!

What happens when you leave world in peril to those ****, liberals and science?! Director Tommy Wirkola and writers Max Botkin and Kerry Williamson have perfect and direct message to all of you who think that future comes on the wings of progress - you get nothing less than children holocaust performed by soulless environmentalists and psychopathic scientists dressed in black uniforms. Who wouldn't look to medieval times as the heydays of (western) civilization, or at least evoke memories on the good old days when the tabaco and oil & coal czars were keeping tabs on the world future, and South American libertarians turning Amazon into parking lot. PS. This is not a satire of Paul Verhoeven kind and style, far from it.

I am really stunned by the reviews, top to bottom, and both users' and pro reviewers'. Most of them are disingenuous, without proper elaboration on this work. This is not your average feature film, go to cinema with a girlfriend or mate sort of movie, it's not even for the late night TV program. This is an experimental film, a video project with lots of reality TV shots, documentary bits, theatrical choreographed performance, composed sequences of (choreographed) steps and moves, strange scene settings and designs, and most importantly, almost entire cast are "naturchiks" - non-professional and/or one-time actors/performers. Unexpectedly American reviewers did not pan this project with sneer and low ratings, that is, until New York Post, veritas et virtus et scientia bastion, treated it with "tedious and pretentious" :-)

An intelligent, creative and creepy exploration of the dream-like world. Music and sound are perfect, so are camera and pacing. A creepy thriller indeed, which I enjoy once or twice a year, usually with an afternoon coffee.

It's spectacular. It was creative impulse, resulting in culture and art's main reference point.

Another failed Hasbara attempt? No way! Adored by general public for selling anti-Arab & anti-Muslim sentiments, film series, for now a trilogy, is called "effortlessly Islamophobic" "terrorsploitation" and "western capitals destruction porn sub-genre" - so, basically Hollywood militarist agitprop directed against certain identity group has no end in sight (at least in this case a sequel to the series is already announced (filmed?)). P.S. Of all the Western media joints, in all the servers in all the Wide World Web, it's the New York Post who flashed the title saying: "Racist, idiotic ‘London Has Fallen’ is a revenge dud" - how about that!?