A.I.L.A. starts with a strong premise, decent pacing, and genuinely engaging early moments, but everything quickly falls apart. The lack of polish is glaring, the combat is atrocious, and the wildly unbalanced mechanics destroy any sense of progression. After the second experience, the pacing collapses, the world has no binding coherence, and the ending drags being just way too pretencious. The horrific optimization (if that was even a thing) and bug issues makes CP2077 release looks ok and the 'low' preset is a bad joke. What begins with promise ends as absolute garbage and the studio is ready to be consider AAA industry in terms of bad police and lack of polish.
One point for the not terrible start.
It haves some interesting concepts with the old school animation and the visuals, but the repetitive combat and junkiness of the whole gameplay makes it very frustrating. It is a good attempt and I will be watching to see what the guys can deliver in the future, but for now it is very poor. If you can buy it with at least 50% discount, it worth check it out.
Silent Hill 2 Remake beautifully reimagines the original’s atmosphere with modern visuals, incredible lighting, and a richer, more textured James. The reworked environments and updated sound design amplify the dread in all the right ways. Some of the voices could have a better finishing to preserve the raw experience, and Laura, Angela, Mary and Maria could be better represented. But the game actually makes Eddie and James way more compelling characters.
Doom: The Dark Ages is everything it needs to be. It works as part of the franchise (it even comes with a fresh air to the theme) and it works by **** is fluid as hack and very addicting, the story is good enough and even a bit moving and the most important part — a total mess of obliteration of monsters without another idea in mind — works flawlessly.
Alan Wake II is a haunting masterpiece of atmosphere, blending surreal horror, impeccable sound design, and stunning visuals into an unforgettable narrative experience. The dual-protagonist structure is bold and brilliantly executed, and the writing is some of Remedy’s best. However, occasional pacing slowdowns and uneven performance on some platforms hold it back slightly. Even so, it remains one of the most evocative horror games today (wich says more about the horror today than the game itself).
Slay the Princess is a masterclass in narrative tension and psychological horror. Its sharp writing, unforgettable voice acting, and constantly shifting perspectives create an experience that’s as unsettling as it is compelling. The art is strikingly expressive, and every route feels intentional and impactful. The only drawback is that its replay-driven structure may overwhelm some players — but that is what makes it also unique and special. It is the type of weird we need.
Clair Obscur: Expedition 33 is a stunning masterpiece. Its painterly aesthetic feels alive, with animations that flow like brushstrokes in motion. The voice acting is exceptional, giving every moment emotional weight. But the real highlight is the innovative combat system—fluid, strategic, and refreshingly original. A rare blend of beauty and brilliance.
Metaphor: ReFantazio is a stunning triumph of style and imagination. Its richly crafted world, striking art direction, and phenomenal soundtrack create an unforgettable atmosphere. Combat is fast, layered, and deeply satisfying, supported by excellent character writing and smart systems. The only drawback is its occasional pacing drag in dense story segments, but even that barely dims an otherwise brilliant RPG experience.
Metaphor: ReFantazio is a stunning triumph of style and imagination. Its richly crafted world, striking art direction, and phenomenal soundtrack create an unforgettable atmosphere. Combat is fast, layered, and deeply satisfying, supported by excellent character writing and smart systems. The only drawback is its occasional pacing drag in dense story segments, but even that barely dims an otherwise brilliant RPG experience.
Star Wars Episode I: Jedi Power Battles Remaster is a rough reminder that nostalgia can only carry a game so far. Clunky controls, stiff animations, and outdated level design make it feel stuck in the past, not revived from it. The combat lacks weight, the visuals barely qualify as a remaster, and the charm of the original evaporates fast. A weak, shallow throwback that lives entirely on childhood memories—and nothing more.
League of Legends remains a fast, addictive, and deeply strategic MOBA with a massive champion roster and constantly evolving meta. Its gameplay is polished and competitive, offering endless room for mastery. However, balance issues, inconsistent matchmaking, and a notoriously toxic community can drag the experience down. The number of skills and champions, mechanics in the map and items can become hard to track if you don't have 12h a day to dedicate to the game too.
Bloodlines 2 delivers fluid, engaging combat and some genuinely atmospheric moments, but its shortcomings hold it back as an RPG. Sidequests are shallow, the dialogue swings wildly between sharp writing and awkward 1990s-style pulp, and customization feels thin. The unbalanced skill tree and strictly linear story limit player agency, resulting in a game that’s stylish but frustratingly underdeveloped.
In the end, it is a descent experience, but not worth playing more than once and the way it was marketed and milked is another exemple of bad behavour in the industrie.
Where Winds Meet is a strikingly ambitious open-world wuxia adventure. Its vast landscapes are breathtaking, filled with life, history, and secrets that reward exploration. Combat is fluid and dynamic, blending martial arts flair with tactical depth. The animation of the wushu is great! The storytelling and atmosphere evoke a poetic, cinematic charm, making every journey across its ancient kingdoms feel immersive and unforgettable, even thought the story itself is a bit shallow in the end.
Blue Prince is a mesmerizing blend of mystery and elegance. Its shifting manor, rich with surreal architecture and clever spatial puzzles, creates a captivating sense of discovery. The atmosphere is moody and dreamlike, supported by subtle audio design that enhances every room. With its inventive progression and constantly unfolding secrets, Blue Prince delivers a uniquely haunting and intelligent puzzle experience. I would only deduce some points cause the Roguelike aspect of it seems a bit off, not per se, but it needs more equalization.
Hades II elevates everything that made the original iconic. Its sharp, expressive art and phenomenal music create an atmosphere that’s both mythic and electrifying. The writing and characters are rich with personality, making every encounter memorable. Combat is faster, deeper, and more customizable, turning each run into a thrilling experiment. A brilliantly crafted sequel that exceeds all expectations.
Hollow Knight: Silksong is a breathtaking evolution of the series. Its fluid, acrobatic movement makes every battle feel exhilarating, while the handcrafted world is rich with mystery and charm. The soundtrack is atmospheric and haunting, perfectly enhancing each area. With its polished combat, demanding platforming, and immaculate attention to detail, Silksong stands as a masterclass in metroidvania design.
