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9.9Avg. User Score
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positive
15(100%)
mixed
0(0%)
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Aug 19, 2024
The Princess10
Aug 19, 2024
From action director Le-Van Kiet, The Princess plays into well-worn genre subversions, but actually sees those subversions through for a satisfying effect.
Aug 19, 2024
Mr. Malcolm's List10
Aug 19, 2024
It's a more conventional, less anachronistic cousin to the Bridgertons of the world, absent of any orchestral pop music covers or scandal that will steam up the screen, but there are still plenty of familiar genre motifs included to satisfy the most ardent of Regency romance lovers.
Aug 18, 2024
What Happened at 625 River Road10
Aug 18, 2024
It is really beautiful and wonderful and worth watching. I advise everyone to watch it because it is really worth watching
Aug 18, 2024
Sniper. The White Raven10
Aug 18, 2024
[SPOILER ALERT: This review contains spoilers.]
Aug 18, 2024
Thor: Love and Thunder10
Aug 18, 2024
[SPOILER ALERT: This review contains spoilers.]
Aug 17, 2024
Machine Gun Kelly's Life in Pink10
Aug 17, 2024
shallow and disingenuous garbage, one of the worst pieces of media on the planet by a long shot. MGK is one of the least authentic celebrities on the planet and him and his fiancée are frankly terrifying.
Aug 17, 2024
Rise10
Aug 17, 2024
So often, Disney films smooth over some of the uglier bits that plague human society. However, in showcasing Charles and Vera's journey from Lagos to Istanbul and eventually Athens, award-winning Nigerian film director Akin Omotoso refuses to shy away from the racism, xenophobia, humiliation, and everything else the two
Aug 15, 2024
The Art of Making It10
Aug 15, 2024
Edwards’s generic approach — heavy on talking heads and explanatory title cards — often yields fuzzy results, with a haphazard rush of information overwhelming the rare moments the documentary settles into a more defined and compelling point of view.
Aug 15, 2024
Blasted10
Aug 15, 2024
Silently dumped onto Netflix and non-existent as an entry on Letterboxd, Blasted is a perfectly fine sci-fi comedy destined to fade into obscurity.
Aug 15, 2024
We10
Aug 15, 2024
Diop’s small but potent act of subversion, in choosing disparate lives and moments that could seem linked by a railway line and nothing more, is not just to enlarge the idea of who is meant by the collective French “We.” It is also to reclaim the selection process for inclusion within that tiny, divided pronoun.
Aug 15, 2024
Chernobyl: The Lost Tapes10
Aug 15, 2024
Chernobyl: The Lost Tapes, directed by James Jones, does not extensively explore the history of its components. It’s less concerned with the tapes themselves than with the act of bearing witness.
Aug 15, 2024
George Michael Freedom Uncut10
Aug 15, 2024
Absorbing if not quite insightful, due to a fair degree of self-editing, this remains a moving, often melancholic document of a fabulous songwriter and singer whose legacy becomes ever more obvious as the years pass. A must for fans.
Aug 15, 2024
So Vam10
Aug 15, 2024
Its technical motions are janky and unpolished, but that doesn’t discredit Mackay’s stronger voice as a storyteller and scene composer. So Vam is a tale of intent versus execution, masking low-budget gumption with passionate narrations.