Marvel's Daredevil

Creator/executive producer Drew Goddard (“Cabin in the Woods”) serves up a dark, edgy, violent and, at times, gruesome series that has some teeth to it.

Bernthal and Yung make Castle and Elektra an effective season-long two-pronged assault on Matt Murdock’s heroic identity, which gives Daredevil’s supporting characters a clearer purpose as well.

Netflix’s Daredevil makes the case that not all superhero shows are created equal and this one improves markedly on both the previous “Daredevil” movie and the other, current Marvel universe TV series.

The pulpy style and brutality (torture is one of Daredevil’s tools) clearly seek a higher sense of realism, which must be balanced against the notion of a blind superhero who can shimmy up walls and whose spectacularly hearing lets him to function, among other things, as a human lie detector. Helpfully, Cox brings the necessary mix of grit and Marvel-esque self-doubts to the dual role.

So much about Marvel’s Daredevil works exactly the way it’s intended, including the pace of the action and the extent and style of the gore. What still doesn’t work--what almost never works where the name Marvel and live-action film/TV meet--is the hammy dialogue, especially when characters express their feelings to one another.

The series gets off to a slow start, parceling out bits of the title character’s origin story over flashbacks in the first two episodes, and taking its time to introduce the supporting cast. But once Vincent D’Onofrio appears onscreen as Wilson Fisk, the dapper crime-boss villain known in the Marvel comic books as Kingpin, things pick up considerably, and Fisk turns out to be an even more fascinating and complex character than the protagonist.

Ultimately it’s very purple in its prose, yearning to be film noir, but--lacking the writing or grit to achieve that--playing more like hokey blood porn.

Es una serie con un humor bueno sin romper los personajes y con muy buenas escenas de acción y drama

Batman mantığını güden bir marvel kahramanı. Öldürme yok. Öldürse dizi bitecek çünkü. Öldürse ölen masumlar hala hayatta olacak çünkü. Dizinin finalinde kötüler kazansa daha gerçekçi olurmuş...

I have been trying to watch season 2 because there is a new daredevil show coming out. It has been a slog that's lasted months. It's like taking medicine. Season 1 was not great, but it was at least watchable. Season 2 is unwatchable, it's cringe, it's just... BAD. Every episode is way too long, every scene is way too long, and the dialogue is godawful. There are too many characters, too many storylines, and none of them are interesting. Yes, it's depressing, it's gritty, there are guns and bullets and blood, but this is not The Wire by a long shot. And that's before the immortal ninjas show up. There are potentially interesting ideas here. Daredevil's conflicted about whether the Punisher killing gangsters is OK. Then Daredevil's conflicted about whether representing a gangster killer is OK, and whether the death penalty is OK. But it's dealt with in the most hamfisted way possible, and rushed through. Because the courtroom stuff is deemed too boring, Daredevil runs off to fight immortal ninjas. What do the immortal ninjas want with a 10-block area of Manhattan? What's their motivation? SHHH.

Soooo incredibly boring. 10 mins on average of action for 45 mins of bland dialogue. Way too much time spent with Foggy and Karen who are as fun to watch as paint drying. This would be better if produced as a 30 min program instead of trying to justify being an hour long. The second season picks up with the introduction of The Punisher but quickly regresses to it's familiar antics. If the pacing were better it would be a great show

I dont like beacause the show is different to hq. not very good, at least not from my perspective. it may very well be the most overrated too.