The Warlock is a welcome addition to Diablo 2 that manages to fit in quite well, outside of the fast that it's just a bit too powerful compared to the other classes. Outside of that, the new items, new revamped boss and endgame content, and some crucial quality of life features are great as well, but they're only going to be great enough for the price if you're really into Diablo 2. But who isn't, really?
Calamity Angels: Special Delivery brings some unique ideas and a loveable cast of weirdo characters to the table. I just wish it brought more interesting and engaging gameplay and combat along with it.
Crabmeat is a great short-form horror game that delves deep into the existential dread of both being in debt and being stranded in an unforgiving sea. The challenge and threat amps up throughout the 3-hour playtime and everything culminates in a conclusion that works as a suitably fantastic payoff. Similar to a game like Threshold, this is a one-sitting experience that shows the range of indie horror gaming.
To summit up, Laysara: Summit Kingdom is a great little town builder. Set in a pretty unique location and providing plenty of satisfying management without the constant threat of invasion by a horde of enemies, it's incredibly relaxing and enjoyable. At least, until you underestimate the power of an avalanche and bury half your workers in snow. If you're at all interested in a builder like this set on a mountain, I'd be surprised if you didn't enjoy Laysara, even if you usually prefer something more challenging.
Toxic Commando never really manages to be more than the sum of its parts. It's enjoyable, and the big horde set pieces remain a gaming highlight, especially at its peaks in the finale, but like a 90s family holiday, there's also just a lot of time spent looking at a map to plan your route, and then driving to the next sightseeing stop while the kids in the back pretend to shoot stuff out the window.
Love Eternal is an experience that lingers, with a story that can be interpreted in many ways depending on your own views. It's both unnerving and tough, which will appeal to those who enjoy the challenge of precision platformers, but it may prove frustrating to those with slower reactions than the game demands.
Fatal Frame II: Crimson Butterfly Remake is probably the best of the series so far, with an atmosphere and narrative that will hook you in and leave you feeling incredibly immersed. There is a great deal of depth to the camera-based combat and exploring the village is a wonderfully atmospheric experience. I could have done without the stalker enemies and the game throws a vast amount of lore and optional side stories at you at times, but the core game deserves to push the series into wider appreciation.
I'm pretty disappointed with Greedfall: The Dying World. Despite going through Steam Early Access, the end product is buggy and messy, and the combat uninspiring. This combined with slow pacing that gives three false endings to the opening before you get into the open world makes it get old quickly. Perhaps wait for a sale, or a lot of patches to fix things up a bit.
Monster Hunter Stories 3: Twisted Reflection is the best entry in the spin-off series yet, with gorgeous artwork, impeccable world-building, and an excellent Monster Hunter tale to tell. I can’t imagine a better gateway to the world of Monster Hunter than this.
Under the Island is the perfect fit for gamers who long for the older days of dungeon exploration focused Zelda titles and is one of the most polished and enjoyable retro throwbacks you’ll find. The charming story and characters, and the high quality of the level design help this to really shine.
