I daresay this one was worth the wait. Though darker, visually and emotionally, than part one, and shorter — two hours and 18 minutes, down from two-forty — Wicked: For Good is still a rollicking good time.
Wicked: For Good is not only a loyal adaptation, but it builds on what works from the first film while leaning into its lead performances. The characters are more mature and nuanced, making it a worthy successor to the first film. It doesn't surpass Wicked, but as a double feature, these two movies do justice to one of the best musicals ever, and that's not an easy feat to accomplish.
Once again, Nathan Crowley’s production design is wondrous, a multi-colour extravaganza that truly brings Oz to life. Simply spending time there – with its fields of tulips and fireworks in the sky – is one of the great pleasures of this movie. A film that will surely satisfy Wicked’s extensive army of devotees.
It doesn’t quite reach the heights of Part One, but this is still a highly entertaining display of what musical theatre can do on screen with top level performances and a true affection for the world-building.
A darker and sadder Part 2 brings the story of Oz's witches to a moving close and cements Jon M. Chu's adaptation of Wicked as an absolute triumph. But, For Good suffers slightly from thinner source material and weak new songs.
What a performance from Erivo; it is genuinely moving when the Prince has to convince Elphaba what we, the audience, have always known: that she is beautiful.
Wicked: For Good does stumble at various points. The much-touted new songs by returning songwriter Stephen Schwartz are superfluous, and there's a laughably regrettable decision near the end involving Jeff Goldblum that only avoids disaster by being very brief. But all the same magic that powered the first film is still at work in this one.