White Lightning

Generally regarded as the best of Reynolds good ol' boy films, with fine, sensitive performances by the leads and a wonderful supporting cast.

Joseph Sargent’s direction is particularly effective in the light and auto-chasing sequences, latter a field day for stunt drivers and occasionally incorporating humorous bits of biz. Reynolds is quite up to all the demands of his smashing role.

A fairly awful movie that keeps producing good things—scenes, performances, moments of insight—that seem connected to better ideas than anything suggested in the film's larger intentions.

Everything becomes one long car chase, and in the end it's just a matter of the fat bald bully getting his comeuppance at the hands of the not-so-fat toupeed hero.