The Swan Princess

Perhaps the most pleasing aspect of the film is its fluid, unhurried pace. Rich and his team aren't interested in roller-coaster effects or sledgehammer manipulations. They have a lush, original sense of color, even a flair for the poetic. The score -- by lyricist David Zippel and composer Lex de Azevedo -- isn't terribly distinctive (it's probably the movie's weakest link), but there is a merciful absence of the hard sell in that area as well.

With its modern sensibility and a visual look beautifully steeped in tradition, The Swan Princess takes a well-deserved place in the circle of animation.

The Swan Princess may be derivative but it clicks, as ex-Disney animator Don Bluth's latest films ("Thumbelina," the video-bound "Troll in Central Park") have not. With just one movie in release, Rich is starting to look like the only other animation game in town. [18 Nov 1994, p.G33]

There's almost no violence in the film, which favors natural settings and, for weaponry, archery. Only one scene, when Rothbart appears as a bat, is strong enough to make kids shudder a little. The script chirps with funny interplay between the animals.

The backgrounds, it must be said, are the most impressive features in the picture: Vibrant with color and often deeply evocative, they make you wish something a bit more lively was happening in front of them. [18 Nov 1994]

Despite its problems, The Swan Princess is actually one of the better non- Disney animated productions to come along in a while. While the creators of Beauty and the Beast, Aladdin, The Lion King, and Pocahontas need not feel threatened, parents looking for something different to take their offspring to might find something worthwhile here.

The sidekicks Jean-Bob, the dandy French frog (Cleese), and Speedy, the true-blue turtle (Wright), are mildly amusing, but knowing the talent behind the voices, you can't help but wish that they'd had a hand in the writing as well. Still, the picture has a certain sweetness about it that melds nicely with its old-fashioned look (the cels are all hand-drawn and hand-colored) and the characters are not totally without charm. What it boils down to is that The Swan Princess just doesn't have that old bibbity bobbity boo.