Critic Reviews

A film about stellar spycraft that’s been made with comparable steely intelligence, The Spy Gone North (Gongjak) boasts little action but compensates with director Yoon Jong-bin’s considerable ability to weave suspense while depicting the subtle maneuverings of a fraught covert operation.

The film succeeds at being both exciting and character-driven, but only after a confused first half that will leave international viewers frustrated over who’s who and what’s going on.

There are no spies who “dump” or “shag” anyone here, much less jump out of airplanes or buildings, but The Spy Gone North, based on the exploits of a true-life double agent code-named Black Venus, remains a taut, slowly engrossing, effectively old-fashioned Cold War thriller.

This well-crafted work deserves to be seen for its thorough account of intricate workings of secret service and political skullduggery.

Entertaining and exasperating in equal measure, it’s a nine-dimensional chess game in which the pawns think they’re working towards a better future, but the powers controlling them are only determined to maintain the status quo.

Yoon executes all the classic double-agent set pieces with finesse, and those enamoured of the genre will appreciate a change of setting.