SummarySauron's forces have laid siege to Minas Tirith, the capital of Gondor, in their efforts to eliminate the race of men. The once-great kingdom, watched over by a fading steward, has never been in more desperate need of its king. But can Aragorn (Viggo Mortensen) answer the call of his heritage and become what he was born to be? In no sm...
SummarySauron's forces have laid siege to Minas Tirith, the capital of Gondor, in their efforts to eliminate the race of men. The once-great kingdom, watched over by a fading steward, has never been in more desperate need of its king. But can Aragorn (Viggo Mortensen) answer the call of his heritage and become what he was born to be? In no sm...
The invisible wizard Peter Jackson makes use of every scene to show us the meaning of magnificence. Never has a filmmaker aimed higher, or achieved more.
Filmi şu yüzden sevdim, şu yüzden beğendim tarzı açıklamalarda bulunmayacağım. Bu film benim hayatımda seyrettiğim en iyi, en güzel, en mükemmel, en özel film. Klasik halini defalarca, yönetmen özel versiyonunu defalarca kez izlememe rağmen sıkılmadan, usanmadan tekrar tekrar izlediğim yegane filmdir Kralın Dönüşü. Gelecek hakkında kesin konuşmayı sevmem çünkü en bilge olanlar bile her şeyin sonunu göremez. Hayatım boyunca izleyeceğim hiçbir film, Kralın Dönüşü'nün benim üzerimde bıraktığı etkiyi bırakamayacak ve asla bu film kadar özel bir yere sahip olamayacak!
Those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll.
All in all, it's a fitting conclusion to the series, and yet there are disappointments built in. For one, Jackson has opted not to film Tolkien's downbeat "Scouring Of The Shire" epilogue.
This is not only my favorite movie, but also one of the greatest creations in cinema and storytelling. Tolkien built a world so wonderful that it feels bigger than fantasy itself. He even created an entire Elvish language, something that even some real countries don't have for themselves.What makes The Lord of the Rings special is that it's more than an epic tale-it's a whole new dimension of mystery, biblical narratives, and poetry. At its heart, it's about friendship, love, power, and the weight of choices. Every single character is unique, with their own personality and journey, and together they create something unforgettable.This film gives you everything: you laugh, you cry, you feel anger, hope, and courage. And the deeper you go, the more you realize Tolkien's true idea-to teach us human values through **** Return of the King is a movie you can watch a thousand times and still discover something new, something powerful, something unique.
For as little as this film has to work with, plot wise, there's really no excuse for its length. Really, in the grand scheme of things, what does it accomplish? A big battle scene to preserve the sacred city of Gondor, a recruitment drive in the land of the dead to facilitate the former, Frodo and Sam's arrival at Mordor and the big finale beside the lava pit. Some exposition can be expected, naturally, and in a few scattered cases it does serve to enrich the extended universe, but for those four primary points to devour over four hours of screen time seems ridiculously excessive. The wealth of character moments in Return of the King are well done, but rarely do they feel as essential as they did in previous chapters. With very little exception, the primary cast has already worked through their individual arcs before the first scene, so there isn't much meat in that respect. As with The Two Towers, the skirmishes (scattered liberally throughout) are appropriately epic and pulse-pounding, though these too push the limits in terms of what the viewing audience is willing to let slide. We're already suspending our disbelief a fair distance in regards to the fellowship's universal fighting prowess, but one particular scene with Legolas and an elephant seems more than a bit excessive. In fact, Legolas is granted an especially silly amount of battlefield respect throughout the series. I could dwell on the negatives all day long - I haven't even touched on the stupid amount of slow motion in the farewell scenes - but at the end of the day, this really isn't a bad film... just a madly bloated one. It feels rewarding to finally conclude our journeys in Middle Earth, and when the plot finally gets around to waving goodbye it's a powerful experience. I just can't help but wonder how much better a slim two-hour cut, trimming half the body fat, would play to the same material. Oh, and its status as a Best Picture winner? Clearly that was a lifetime achievement award, because The King is far and away LotR's weakest installment.