The Island

This mix of broad humor, survivalist drama and romance opens brightly and ends with a bang but stutters a little in the middle.

There are no good or bad people in The Island, just a group of hapless schmucks who become more sympathetic as they get more desperate.

Bo’s secret weapon in The Island is Shu Qi, an effortlessly magnetic star who enlivens even the dullest material. Kept in the background for a lot of the story, she still brings a welcome human touch to a plot that keeps threatening to turn into a lecture.

The Island runs hot and cold, with clunky comic set-pieces alternating with moments of genuine wonder and surprise. But even at its most misbegotten, the movie’s always thoughtful, examining what we value — and why.

It’s both way too much and also somehow not enough, but even the most exhausting stretches of this bloated import blockbuster are fearless enough to make you wish that American films would follow suit.