Daniel Eagan

Twilight of the Warriors: Walled In is a more conventional outing, hemmed in by its multi-generational plot and sentimental twists. But you will not want to miss its action scenes, staged within phenomenal settings.

Because Victory is set in 1999, it’s easy to get lost in a welter of 20-year-old K-pop references. It’s just as easy to be swept along by Hyeri’s amazing confidence.

Even middling Welles is better than none, and it's a treat to see his longtime collaborators like Paul Stewart and Mercedes McCambridge performing as brilliantly as ever. John Huston is a special delight.

They'll Love Me When I'm Dead gives a rich, flavorful account of a self-destructive genius on one of his last creative benders.

If there is any "message" to Monrovia, Indiana, it may be that we all share the same fate.

The Old Man & the Gun is never less than pleasant, and Redford's fans might even find it resonant. Others may think it's cute but underwhelming, sweet-natured but forgettable. There are worse ways to spend your time.

It's the camerawork by director of photography Brett Lowell and cinematographer Corey Rich (along with many other contributors) that impresses the most here. Close-ups show just how precise and physically challenging the climbers' moves are.

Unfortunately, Bryan's case quickly turns into a dense, confusing slog through a bewildering array of newspaper headlines, TV news clips, splashy graphics and talking heads.

New paint can't hide the worn-out frame behind Mile 22, a gung-ho workout that pairs Mark Wahlberg and director Peter Berg for the fourth time. Cribbing from themselves as well as tons of other action films, they manage to throw enough firepower on the screen to placate genre fans.

Bo’s secret weapon in The Island is Shu Qi, an effortlessly magnetic star who enlivens even the dullest material. Kept in the background for a lot of the story, she still brings a welcome human touch to a plot that keeps threatening to turn into a lecture.