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67
Metascore
Generally Favorable
positive
6(67%)
mixed
3(33%)
negative
0(0%)
Showing 9 Critic Reviews
100
Variety
That's Entertainment, Part II is a knockout. The very handsome and polished sequel to That's Entertainment! transforms excerpts from perhaps $100 million worth of classic Metro library footage into a billion dollars worth of fun, excitement, amusement, escapism, fantasy, nostalgia and happiness.
By Staff (Not Credited)
FULL REVIEW
91
Entertainment Weekly
The original song-and-dance formula is diluted, however, by a dozen or more comedy scenes (with the Marx Brothers, W.C. Fields, Hepburn and Tracy, Abbott and Costello, and others). But they are so wisely chosen, sharply edited, and outright funny that the overall entertainment level remains high.
By Roy Hemming
FULL REVIEW
80
Los Angeles Times
Narrator-hosts Fred Astaire and Gene Kelly offer more than routine continuity with their timeless class and superb timing in their first film appearance together since the 1946 Ziegfeld Follies. [26 Jun 1992, p.F22]
By Barbara Saltzman
80
The Telegraph
Packed to the rafters with musical numbers, this cheerful documentary features moments from films such as Gone with the Wind, Meet Me in St Louis, and Singin' in the Rain - a fun watch, even though it was not as commercially successful as Part I. [01 Nov 2014, p.32]
75
Chicago Sun-Times
There's some really fine stuff here, and Part Two isn't afraid to poke fun when it's appropriate.
70
The New York Times
Part 2 has been compiled with the kind of intelligence and affection that allow us to get some purchase on the Hollywood history made by M-G-M without spending our whole lives at the job.
50
TV Guide Magazine
Basically, the feeling one gets is that there was so much musical material left from THAT'S ENTERTAINMENT! that they just threw the rest into PART II, and then decided to expand on it with comedy and drama in order to be able to show The Marx Brothers, Greta Garbo, and others.
By Staff (Not Credited)
FULL REVIEW
40
Time Out
The juxtaposition of clips is mindless; and between the indigestible chunks come newly-filmed scenes with Kelly and Astaire, which manage to be even worse than some of the clips. And their asinine commentary damagingly intrudes into the numbers.
By Staff (Not Credited)
FULL REVIEW
40
Chicago Reader
Assembled by Gene Kelly, it jerks and sputters along through an overedited collection of songs, dances, comedy routines, and dramatic excerpts, with a strong tendency toward camp. Gene should know better.
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