Rental Family is practically poetic in its handling of its themes. It gets to the root of human emotions and how they’re affected by the world around us and the decisions made by others. It’s a heartwarming film that asks thoughtful questions, and I promise you won’t be disappointed by its answers.
It’s an outstanding, feel-good combination of East and West that depicts Japan's popular "rental family" business – where actors play a client's parent, spouse, sibling or friend at events or in their personal life – while also nimbly exploring loneliness, identity and the importance of found family.
As an actor, Fraser’s second act has been a sight to behold, and he is the emotional anchor of this wonderfully life-affirming and quietly resonant film about the importance of being together that announces Hikari as a major talent to watch.
Rental Family is the kind of movie that should not work at all. It takes an unusual premise, one ripe for oversentimentality, and then strikes the perfect balance between heartwarming and heartbreaking.
Rental Family is a heartwarming jewel of a movie that is a dazzling showcase of Japan’s urban and natural beauty, instead of the usual depiction of hordes of tourists surrounded by skyscrapers and lit by LEDs.
“Rental Family” is unabashedly sentimental, almost Frank Capra-esque at times. It’s also a thoughtful and insightful presentation of this unique and admittedly strange business of renting humans to help other humans. And it’s a knowing character study of a gaijin in Japan who knows he could live there forever and never fully grasp and understand the culture, but will never stop trying.
Leading with sincerity, Hikari makes a moving love letter to the people and places of Tokyo. Brendan Fraser performs with his heart on his sleeve, which lends perfectly to the film’s concept.