Critic Reviews

Managing to avoid facile sentimentality, the story grows emotionally more and more engaging thanks to Moretti's impeccable comic timing and neurotic acumen.

Beautifully modulated, fluidly told film expresses pain with warm understatement.

Don't expect anything too profound from this middleweight fare - but it'll still be better than the inevitable remake.

Thankfully, Mr. Grimaldi and the screenwriters have no great lessons to impart or messages to deliver, and the film, while uneven -- sometimes too on the nose, sometimes anecdotal and diffuse -- is generally absorbing, thanks mostly to the quality of the acting.

Stick around till the end. You don't want to miss an unexpected cameo from a filmmaker I won't name. Hint: He's short, likes younger women and isn't Woody Allen.

Moretti makes this ''study'' in despair a naggingly neutral, at times borderline coy experience.

Not even the momentary participation extraordinaire of a vertically challenged famous filmmaker self-exiled from the United States can save this phony pseudo-drama from its final collapse into a heap of inconsequence and male vanity.