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Ned Kelly

Critic Reviews

56
Metascore
Mixed or Average
positive
7(44%)
mixed
7(44%)
negative
2(13%)
Showing 16 Critic Reviews
90
The Hollywood Reporter
Expertly combining the personal and the epic, Jordan has crafted an excellent historical saga that doesn't collapse under the weight of too much history.
80
Variety
An impressively staged, dark-toned revisiting of the life and times of Australia's boldest and most charismatic outlaw.
70
Film Threat
It’s an exciting movie filled with plenty of action, adventure, beautiful cinematography and best of all, terrific performances.
70
Village Voice
The film marks a welcome departure from the usual rah-rah machismo of the semi-nationalist action adventure, but Jordan never escapes the mighty shadow of "The Thin Red Line"--from the grace-note inserts of exotic birds, snakes, and foliage to Ledger's laconic, sometimes haiku-like voice-over to Klaus Badelt's embarrassingly Zimmer-derivative score.
70
Dallas Observer
Despite the idealized portrait of Kelly and the very predictable plot, the film proves engaging, thanks in large measure to Ledger's sympathetic and believable performance.
67
Entertainment Weekly
A boggy mix of fact, fiction, and changeable wigs and beards worn by Heath Ledger in the title role, manages to shrink the grandness of the myth without clarifying our understanding of the man.
63
New York Daily News
The result is a handsome, action-packed biographical drama with a credibility gap wider than the screen.
60
The New York Times
The storytelling is choppy and abrupt, and the filmmakers rely heavily on voice-over narration to announce themes that are never brought to dramatic life on screen. Mr. Ledger, his heartthrob charisma camouflaged behind a heavy beard, gives a stiff, hesitant performance.
60
TV Guide Magazine
The wholly invented character of unattainable love interest Julia Cook (the real Kelly once referred to an enigmatic "Julia" in a letter) is the film's weakest link and smacks of a desperate attempt to shoehorn a pretty woman into a story about grubby men with tangled beards.
50
L.A. Weekly
The whole movie is curiously distant and flat, like a museum object encased in extra-thick glass.
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