It’s Buckley who’s giving one of those rare turns that simply beggars belief. She swings back and forth from cast iron to porcelain. The actress is thunderous, playful, grounded and ethereal. She breaks your heart — not only when the worst befalls Agnes, but whenever she cracks a smile.
With an aching heart, lush visuals, and magnetic acting, Hamnet is undoubtedly one of the best movies of the year and will continue to resonate with audiences for years to come.
A thoughtful meditation on love and grief, Hamnet features career-best performances from Paul Mescal and Jessie Buckley, and is Zhao's most intimate work to date.
What Hamnet leaves you with isn’t sadness, but joy – at the human capacity to reckon with death’s implacability through art, or love, or just the basic act of carrying-on in its defiance. It blows you back on to the street on a gust of pure exhilaration.
The ending, set in the Globe during a production of Hamlet, is harrowing, meaningful and magnificently sad. You might want to yell out, “Make it stop!” This is, instantly, the essential Shakespeare movie.
Like Nomadland, another film that maps out rocky terrain with impressionistic grace, Hamnet is a deep-felt ode to loss and resilience. Zhao doesn’t just tell you about the healing power of art, she shows you. Prepare your tear ducts accordingly.