Critic Reviews

It’s pretty banal, but in the anything-but-banal catalogue of Cronenberg films, that gives it its own weird, sincere charm.

Fast Company is an example of Cronenberg taking one step back from his idiosyncrasies, and spending 90 minutes reveling in one of his passions.

What gives it the Cronenberg feel, in spite of the complete absence of his standard themes, is his manner of filming the dragsters: they become, like the horrible growths that usually dominate his movies, the physical projection of the characters' hostile energies, weapons they use to act out the psychological conflicts that torture them off the track.

While not a remarkable action/race film, Fast Company does boast some innovative and impressive footage captured from inside a dragster that would not have been the same directed by anyone else.

The only thing Fast Company says about Cronenberg the person and artist is that the dude really, really likes drag racing. Auteurists should probably look elsewhere. Fans of well-crafted B movies, on the other hand, will be right at home.

A formula B movie about race car drivers, it's competent, but unmemorable as anything other than a footnote in Cronenberg's development.

William Smith, who plays Lucky Lonnie, a drag-strip racer in David Cronenberg's Fast Company, is a personification of country singer Waylon Jennings' voice: powerful and rich and funky and gentle. He doesn't hold Fast Company together - a vise the size of Paraguay couldn't hold Fast Company together - but his presence gives the movie an entirely undeserved distinction. [03 Oct 1979]