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SummaryAfter 17 years in exile, Walter finally reunites with his family after being forced to leave Angola for New York City. We meet the family as Walter is picking up his wife, Esther, and daughter, Sylvia, from the airport to bring them home to his one-bedroom Brooklyn apartment. They quickly discover how the years of separation have turned them into... Read More

Directed By:Ekwa Msangi

Written By:Ekwa Msangi

Farewell Amor

Metascore
Generally Favorable
75
User score
Generally Favorable
7.0
My Score
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Metascore
Generally Favorable
88% Positive
14 Reviews
13% Mixed
2 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Dec 16, 2020
100
Los Angeles Times
Its beauty lies in its empathy — something currently in short supply and therefore very welcome in the stories we consume.
Dec 23, 2020
80
Wall Street Journal
One of the great strengths of Farewell Amor is its intimacy, the sense it conveys of three people close together yet emotionally distant in Walter’s small, narrow Brooklyn apartment.
Nov 3, 2020
80
Variety
The simple humanism here makes the case for nurturing and celebrating America’s immigrant population in a more eloquent and persuasive way than a more polemical film ever could.
Dec 14, 2020
75
RogerEbert.com
Writer and director Ekwa Msangi constructs this nontraditional narrative with an attention to detail for each of these characters. Just as important as their conversations is their body language and how it shifts around one another.
Nov 3, 2020
75
The Film Stage
Msangi pulls off something most filmmakers don’t: She adapts her own short film to a feature without stretching it out.
Dec 9, 2020
67
The A.V. Club
The film’s final moments suggest a benign American domesticity that its preceding scenes purposefully interrogate. But before that jarring ending, Farewell Amor is clever and unpredictable, using familiar tropes about assimilation to arrange demonstrations of honesty, regret, and love for its characters.
Nov 3, 2020
60
CineVue
The US-born, Kenyan-raised director’s feature-length debut is told with honesty, determination and grace.
See All 16 Critic Reviews
User score
Generally Favorable
75% Positive
3 Ratings
25% Mixed
1 Rating
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Apr 18, 2021
8
Brent_Marchant
This simple tale of an Angolan immigrant family reunited after 17 years apart tells the story of how they seek to pick up the pieces and move on. Director Ekwa Msangi's debut theatrical narrative feature is told in three segments, one each from the perspectives of the three principal characters (father, mother and teenage daughter). Each segment includes details of their collective story that don't appear in preceding or following chapters, thus allowing the overall narrative to be pieced together like a puzzle. By presenting the story in this way, viewers witness the bigger picture gradually come into view in much the same way that the protagonists do, a refreshingly revelatory storytelling experience. Admittedly, some of the material is somewhat predictable and more than a little bit sentimental, but these drawbacks are compensated for by fine performances, touching writing and a pervasive warmth, all aimed at shining a bright light on the experience of what it's like to live under circumstances such as these. It's an important message in a time like this, with so many from so many places living under similar conditions. In doing so, the picture illuminates the connections, challenges, hardships and reconciliations that those living out the immigrant experience go through and share with one another, no matter what their points of origin, ports of entry or hopes for the future may be.
Dec 16, 2020
7
TVJerry
In an attempt to better life for his family, a man leaves war-torn Angola for the US. Seventeen years later, his family comes to join him. As can be expected, they’re virtual strangers to each other and have challenges reconnecting. The narrative is divided into 3 parts, told from the POV of the father, daughter and mother. This is NOT about the political issues of immigration, but an examination of the relationships. The exposition is relayed gradually, slowly adding resonance to their back stories. With naturalistic skill the performances beautifully capture the complexity of the characters. Writer/director Ekwa Msangi has kept the focus understated, while remaining effective in its quiet emotional authority.
See All 2 User Reviews
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  • Park Pictures
  • Department of Motion Pictures
  • Good Gravy Films
  • Infinite Wings Media
  • Jhumka Films
  • Lucky 13 Productions
  • MUBI
  • Macro
  • Outrageous Pictures
  • The Black TV & Film Collective
  • Wavelength
Dec 11, 2020
1 h 41 m
Durban International Film Festival
• 2 Wins & 3 Nominations
Black Reel Awards
• 2 Nominations
Hamptons International Film Festival
• 1 Win & 1 Nomination
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