SummaryJenna and Lion's wedding sets the stage for the long-awaited reunion between Noah and Nick, some time after their breakup. Nick's inability to forgive Noah creates an seemingly insurmountable barrier between them. He, now heir to his grandfather's business empire, and she, just starting her career, resist reigniting a flame that still smolders wi... Read More
Directed By:Domingo González
Written By:Sofía Cuenca, Domingo González, Mercedes Ron
Culpa Nuestra (Our Fault)
Metascore
Available after 4 critic reviews
tbd
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Mixed or Average
4.1
My Score
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Top Cast



Oct 16, 2025
40
A syrupy stream of EDM-style pop in assorted languages fills in the spaces where people aren’t talking, but ultimately it’s all too bland and banal to even be offensive or annoying.
User score
Mixed or Average
29% Positive
2 Ratings
2 Ratings
14% Mixed
1 Rating
1 Rating
57% Negative
4 Ratings
4 Ratings
Oct 16, 2025
3
The movie really packs a punch with its production and technical values - you can't help but notice they're there.There were a few moments when this film just grabbed me, and it was pretty cool - the songs really made an impression.I have to say i was pretty taken with the dialogue in the funeral scenes - especially what Noah had to say, it really hit **** terms of acting, everyone did a great job in their part.While idly watching, i kept thinking of some scenes from the Fifty Shades of Grey trilogy.Completely predictable
Jan 5, 2026
2
How could anyone think this makes sense? 'My Fault' presents itself as a romantic story designed for fast consumption. The cinematic equivalent of junk food — except that instead of delivering a guilty pleasure, it ends up being an experience that is difficult to justify even by its own rules. Not because of how provocative its premise is, but due to the absolute lack of sensitivity and rigor with which it is handled. The narrative amounts to a thoughtless normalization of a romance between step-siblings. There is no real tension, no emotional development — certainly nothing believable — only a sequence of situations engineered purely to provoke. The screenplay is aware of its own existence, yet holds no regard for itself, sinking to the same low level as every element that makes up the film. Every line of dialogue serves as a reminder that nothing unfolding on screen carries any real weight. The performances collapse under their own emptiness. There is a striking disconnect between the characters and what they are supposedly feeling, to the point where the film often provokes unintended laughter rather than emotion. This is not deliberate irony, but the direct result of acting incapable of conveying anything meaningful. The cinematography takes no risks and offers no visual identity beyond what typically defines this kind of disposable cinema. The music fares no better: it fails to support the narrative, not so much because of the songs themselves, but because of how everything is assembled and edited together. A thoroughly mediocre work, uninterested in building anything beyond its own surface. It is not difficult to watch — assuming one is fully aware of what they are getting into — but it is entirely forgettable. You watch it, react with disbelief, and hope not to have to revisit it for a very, very long time.




























