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Come Undone

Critic Reviews

68
Metascore
Generally Favorable
positive
12(75%)
mixed
3(19%)
negative
1(6%)
Showing 16 Critic Reviews
90
Los Angeles Times
Brings maximum subtlety, nuance and insight into the timeless story of first love.
90
New Times (L.A.)
Charged by Rideau's amazingly sexy performance as the most forthright gay character put on screen to date, this is a fine piece of filmmaking.
90
Variety
The elusive, quicksilver nature of young love is often reduced to crude simplicities by the movies, but director Sebastien Lifshitz and writing partner Stephane Bouquet have observed it with a superb balance of aesthetics and insight in Come Undone.
80
L.A. Weekly
A melancholy valentine to broken hearts and lost innocence.
75
San Francisco Chronicle
The photography is strong, the performances sympathetic and the sex plentiful.
75
Philadelphia Inquirer
A delicately managed piece that is by turns intimately detailed and elliptical, and that's an approach that suits the tangled emotions of its two protagonists.
75
Chicago Tribune
Turns increasingly interior and emotionally complex. It refuses to connect, putting the pressure entirely on its viewers to reach their own conclusions.
By Patrick Z. McGavin
FULL REVIEW
70
TV Guide Magazine
A moody, subtle drama that has more in common with the tragedy of "Endless Love" than "Where The Boys Are."
70
Village Voice
Come Undone's true subject is, simply enough, the perspective-warping enormity of first love, as preserved in a scrapbook of before-and-after snapshots.
70
The New York Times
Ultimately, Come Undone isn't a movie about homosexuality, depression or family dynamics. For a gay coming-out story, its sexual politics are extremely muted.
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