If “Downton” and “Gilded Age” offer a smooth blend of melodrama and lighter moments, “Forsytes” is choppier. It takes itself and its characters with utmost seriousness – until it doesn’t midway through episode three.
Kline excels at pomposity, Linney nails exasperation and Tenney holds his own as a warm balm fighting the lunacy around him, but “American Classic” offers little to recommend beyond a generally comfy vibe.
It’s rare for a TV comedy to return in as strong form as this new “Scrubs.” Fans who loved the show in its early seasons on NBC should happily scrub back in for ABC’s new iteration of the series.
“Reggie Dinkins” uses quick cuts and cartoon-like tangents in a manner that will feel familiar/comfortable to “30 Rock” fans. The return of “Scrubs” and the debut of “Reggie” offer solid evidence that with the right talent involved, comedies still have a place on broadcast TV.
While there is undoubtedly some “Tiger King”-grade entertainment observing a conspiracy theorist verbally spar with a “Lord of the Rings” cosplayer, so much of the behavior displayed in “Neighbors” is unpleasant to behold.
Although the new fourth season lacks a defining episode like season three’s sixth episode, “Abidooniidee (What We Had Been Told),” featuring lead character Joe Leaphorn on an emotional, hallucinatory journey, season four manages to advance all its characters’ stories, even as they spend more time than ever off the reservation.
This “Muppet Show” is the sincerest effort yet to re-create the manic lunacy and charm of the original and feels of a piece with the series that started it all.
