Josiah Teal

The Invisible Raptor will have its fanbase, but it takes a little too long to get to the Raptor hunt.

None of the shortcomings diminish how ridiculous and darkly funny the narrative is from fade-in to closing credits. Bess and the cast take viewers on an engaging, comedic journey through making a deal with the demon, crafting an enjoyable reminder of how innovative indie film can be.

Didn’t Die is a hopeful zombie narrative with more than a few heartwarming moments and just enough quirk to earn its laughs.

Twilight of Warriors is one of the best action films of 2024 and one of the best martial arts films in recent memory.

Exhuma is a masterpiece of art-horror and South Korean filmmaking, ensured to enthrall viewers into repeated viewings and deep dives into each chapter.

It’s pure horror movie fun. Yet the relationships consistently raise the stakes and elevate the film from the “creature feature” label to the kind of thriller that becomes a fan favorite.

Despite a few bumps in the movie-making road, Reinoso has crafted a fun pop culture documentary viable as an exploration into the props fans love and an inspiration to future collectors.

The cast is a high point for the film, elevating the narrative and adding extra personality to each character.

The characters feel real, the performances are personal, and you really know each character by the closing credits. It’s not the most rewatchable film, but Under the Fig Trees will capture your curiosity and more than satisfy a need for an excellent character-focused drama.

Silent Night is held back by its time. In 2023, we’ve seen tons of Woo inspirations and imitators; even in his Hong Kong days, Woo could create action-filled cinema with some emotional resonance, but Silent Night can’t keep up. The final battle and stairway shootout save the film, but don’t expect the wall-to-wall action seen in John Wick.