It's a fun narrative, the action elements are well done and uncompromising, and the jokes work. Sure, the narrative could use a little shine in certain aspects, such as the conspiracy at the film's heart and the background of their newly deceased, estranged father, but as a whole, it's a stellar outing and a lot of fun, a blank check for a probable franchise.
There are successful elements in the script, certainly, but there are also several frustrating moments that simply needed another draft to work the knots out. All that said, it's a successful foray into sci-fi territory thanks to a willingness to stretch the subgenre's established rules, making for a fun murder mystery that keeps audiences guessing.
There's a clear command of how to set up a cool/scary/funny scene, execute, and move on before it's stale, and that's a testament to Roberts' skill as director and co-writer alongside scribe Ernest Riera.
When it's sexy, violent, or bonkers, it's a wildly enjoyable romp, and lead Sydney Sweeney kills it any time she's allowed to dial emotions up to 10 (as fans of Euphoria or Immaculate can attest to). Was it great? For the majority of its runtime, no. Would I watch the sequel it teases? Yes. Inside you are two wolves, and if they're watching The Housemaid in different parts, the one watching the ending is the happier wolf by far.
Altogether, a lot works about Now You See Me: Now You Don't. It's a lot of fun, with a dangerous new foe and big, great-looking tricks. The new cast members are all stellar, have an engaging dynamic with the original team, and everyone gets a stand-out hero moment (a must for an ensemble this size). On the other hand, the script feels perpetually rushed.
Some moments could benefit from lessened narration, a longer cut in an individual scene, or the maintenance of a less dreamlike tone, but it's a fine film that provides one of the most unique cinematic experiences in biopic history.
There's something to be missed from the first due to the predictability of his path in this iteration, but there are enough surprises and novelties (usually violent) to provoke delight and get adrenaline pumping.