BJ Colangelo

Supergirl is an aspirational film because it does not demand perfection of its characters or their journeys, thereby modeling for those watching at home that we too can say the wrong thing or make the wrong decision and still find a path toward heroism.

Once all of the moving parts of "Toy Story 5" link up, it builds toward a satisfying climax and one of the most emotionally resonant endings of any "Toy Story" film, which is a ridiculously high bar to clear. It may not be the best installment yet, but it's one of the strongest stories the series has ever told, and what a joy it is to know that after three decades, we still have a friend in "Toy Story."

The result is an unnerving psychological horror-drama that thrives on atmosphere, uncertainty, and the queasy feeling that reality itself has quietly slipped off its axis.

For a movie that insists on the value of artistry, it certainly plays like an expensive knock-off. I liked it fine, because I love these characters in this world, but ultimately... that's all.

Obsession has a nasty sense of humor at the heart of the story, but the reality of what's going on is extremely dark.

Over Your Dead Body pulls off the magic trick of bringing exploitation cinema into a timeline that's a walking parody of itself, delivering one of the bloodiest and most entertaining films of the year.

Horror sequels often divide fans, especially when the original develops a passionate cult following like Ready or Not. Matching that film's sharp humor, bloody chaos, and bonkers energy would be no small feat. Fortunately, Ready or Not 2: Here I Come proves to be just as explosively fun as its predecessor, even if it's essentially "the same, but more."

Audacious, heartfelt, and uproariously funny, Hoppers has all the makings of an instant classic for Pixar.

This is not an adaptation of "Wuthering Heights," but the result of what happens when you're playing an approximation "Wuthering Heights" without a full grasp on the material but all the money in the world to bring your questionable imagination to life.

It's a shame that Five Nights at Freddy's 2 is such a bloated mess, because it has all of the elements to be a truly special gateway horror film franchise. The new animatronics are genuinely jaw-dropping, Megan Fox voicing Chica is a real delight, the jump scares are effective, the Easter eggs are well-placed, and for a brief moment, when we finally get Mike in the security office (essentially bringing the video game into beat-by-beat live action), the movie absolutely soars. But Cawthon's script is a disaster, and it's one that I cannot in good conscience defend, even as someone who shockingly could make sense of it, having consumed hours of fan theories over the years.