To put it simply, I just didn’t have a good time with God of War Sons of Sparta. This game stepped into an overly crowded space, brought nothing new or interesting to the table, and has this weird, corporate, “how do you do fellow kids” energy with its faux-retro trimmings that don’t have any historical verisimilitude. Sauceless combat, a do-nothing story, and striking lack of personality don’t do any favors to a novel premise and quality voice acting that gave an initially promising first impression. A God of War Metroidvania could have been a productive and exciting use of the IP, especially in a post-Silksong world, but Sons of Sparta doesn’t have a fraction of that juice.
John Carpenter’s Toxic Commando feels like the kind of game I would’ve rented on the Xbox 360, for better and worse. It’s a simple, no-nonsense shooter that offers some classic arcade-like fun. That comes at the cost of narrative and mechanical depth, but it’s still a good time if you’re looking to restore that old school feeling.
I dig how Monster Hunter Stories’ monster collecting spinoff has evolved over the years. Twisted Reflection has enough juice to be a good RPG for most players between its charming story, interesting characters, and engaging combat. And then when you get to the monster management, it opens up like never before with a wide variety of improvements, discoveries, and stat swapping to make your party as cracked as you want them to be. This game’s hairiest encounters put your party management and pattern recognition to the test in big ways. I wish more of the weapon classes had made it over, and that monster collection didn’t feel so tedious once you’re deep in it, but Monster Hunter Stories 3: Twisted Reflection is a fine benchmark for how far these spinoffs have come, and whether you’re returning from previous games or cracking a Stories game for the first time, there’s a lot to love here for stat-loving RPG fans.
I enjoyed WWE 2K24 and WWE 2K25, especially the Bloodline-driven Showcase mode in last year’s entry. But WWE 2K26 stands tall over them. Even though some elements are recycled from last year’s (and the year before that, and the year before that), 2K26’s fun Showcase mode, compelling MyRise story, and strong presentation and gameplay systems make this my new favorite installment.
It’s good to see Skunkape get to continue its revisitation of classic Telltale history, instead of riding off into the sunset after finishing the Sam and Max trilogy. It’s also neat to see this little oddity in particular not only come back, but do so with tweaks and even keeping the Team Fortress 2 interactivity intact. I hope this team gets to continue working on stuff, keeping that era of adventure games alive for as long as possible. In the meantime though, I’m feeling like I could get pretty good at poker.
I’m sad CiNG isn’t around anymore, but I’m glad Arc System Works makes more than just fighting games, and is willing to take risks and greenlight projects like this. The spirit of visual novels that find beauty in the mundane CiNG captured in titles like Hotel Dusk is very much alive in Dear Me, I Was… and I’m grateful for that. In many ways, this experience has made me feel kind of uncomfortable, but I don’t think that’s a bad thing. A lot happens during a life, and when it’s my turn to look back like this, I hope the colors are just as vibrant.
The Scott Pilgrim universe has a naturally good vibe that captures the urban brawling and traversal of a River City brawler better than most of them. It’s a nonstop gauntlet of funny little refrerences and in-jokes, but it’s carried by such a solid cast, fun moves, and ridiculous fights that it’s easy to appreciate whether you know much about Scott Pilgrim or just want to punch goons.
If you haven’t played the original version, Tales of Berseria Remastered is a must-play. It tackles revenge in a way you don’t see often, especially in games that look like this. Violet is an all-timer of an anti-hero protagonist, and the supporting crew of misfits are great to spend time with as well. The combat system is fun too, although it’s not as strict or expressive as others in the series. If you already know Berseria well, there isn’t really a great reason to show up outside of convenience and a new set of trophies if you’re not already hankering for a replay. I’d love to see older Tales games get the re-release treatment instead, but I can’t deny Berseria’s banger status, either. An enthusiastic but slightly confused thumbs up from me, then.
Crisol: Theater of Idols shoots for the moon (or the Sun, considering the narrative) with some bold ideas. The blood curse is a cool concept and opens some doors, both mechanically and narratively. Not everything hits, unfortunately, and that brings the whole experience back down to Earth. It's unique enough that I won't forget it anytime soon, but not quite good enough to make me a Sun worshipper.
Resident Evil Requiem is a crown jewel in Capcom’s survival horror crown. Its characters develop realistically, its rhythm between action and horror should more than satisfy fans of both styles, and its story gripped me from beginning to end. This is Resident Evil at its finest, and I can’t wait to see where Capcom takes the series next.
