Deeply hopeful, spectacularly produced, and equally adept at laughter and tears, Project Hail Mary is the best new movie to hit theaters so far this year.
With go-for-broke performances from the always compelling Christian Bale and Jessie Buckley, both of whom can be safely relied upon to bring the weird when asked, The Bride! is fun to watch, even if its narrative leaves something to be desired.
If we're not poking fun at the inherent silliness of this, like a good "Scream" movie should, then all we're left with is a slasher too afraid to twist the knife.
If Pixar is now just as formulaic as its Hollywood animation peers, then director Daniel Chong's film is a reminder that a stereotypical crowd-pleaser from this studio is made with enough emotional sincerity and visual inspiration to never feel like cheap product fallen off the factory line.
Good Luck, Have Fun, Don't Die is both a battle cry and a bleak joke about how unregulated technological progress could destroy civilization and break our souls ... if it hasn't already.
Director Renny Harlin does his best to maintain the same level of slow-burning dread as he pulled off in the prior film, but it ends up feeling like a mundane, fly on the wall account of the average day at the office for the two surviving killers.
In its artful, brilliantly acted exploration of the moment one learns that the world isn't "fair" and how we keep going in the face of evil, Josephine sets a high bar for all movies to come in 2026.
What remains in question is how much this story constructed through hints, however well they can be understood, actually evokes feeling. To me, Carousel felt like it was missing something that could have made its quiet slice-of-life scenes a real emotional experience.
Shelter aims higher than typical Statham fare by taking itself more seriously, but in doing so, it misses the mark on what makes his best work so enjoyable in the first place.
Chaotic in its depiction of the unraveling of a contentious workplace relationship, Send Help is a profoundly unserious thriller that is nevertheless a crowdpleaser.