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SummaryMona (Oyafunmike Ogunlano) is a Black American fashion model on a photo shoot in Cape Coast, Ghana. Through Mr. Gerima’s imaginative storytelling, she undergoes a journey back in time to a plantation in North America. There she becomes Shola, an enslaved African woman who labors in the master’s house and experiences the horrors of slavery firstha... Read More

Directed By:Haile Gerima

Written By:Haile Gerima

Sankofa

Metascore
Universal Acclaim
93
User score
Mixed or Average
5.5
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Metascore
Universal Acclaim
100% Positive
9 Reviews
0% Mixed
0 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
100
The New Yorker
With this intricate web of personal and family connections, and the brave maneuvering in the face of the overseers’ commands, Gerima is doing nothing less than reconstituting and affirming the full humanity of the enslaved.
100
Los Angeles Times
Sankofa unfolds as a kind of oratorio--the film’s music in itself is incredibly rich and intoxicating--in which people deal with terrible cruelty through ritual and incantations of the African gods. It is a celebration of the strength of black people, in drawing upon their spiritual roots, to defy their oppressors--past and present alike.
100
Original-Cin
The focus of [Germina's] story is rebellion and liberation and treating his story as a sombre fable of a soul’s journey through time, he turns the luridly familiar to something poetic and tragic.
100
RogerEbert.com
Gerima’s Sankofa is an invocation not just to African ancestors, but also the present-day viewer. It calls to attention how history exists in the present, how the spirits of the long-gone can still affect today.
80
TV Guide Magazine
Sankofa succeeds, on both a personal and a political level, because of the immediacy with which it conveys human suffering.
75
Movie Nation
It’s a poetic, mystical and meandering immersion in the life-as-a-slave experience, both for the viewer and for our on-screen surrogate.
70
Time Out
While there's no doubting the sincerity of writer/director Gerima's film, one can't help sensing more than a little déjà vu in his account of the manifest evils of slavery.
See All 9 Critic Reviews
User score
Mixed or Average
52% Positive
13 Ratings
12% Mixed
3 Ratings
36% Negative
9 Ratings
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Oct 23, 2024
10
Toborrance
[SPOILER ALERT: This review contains spoilers.]
Nov 21, 2024
0
UncleWillard
Didn't we do this one before? And frankly, I don't want to see yet another slave narrative unless it's NOT from the Atlantic slave trade. Someone should make a slave narrative about the Middle-East slave trade, which is still going on. Maybe something about slaves taken from Northwest Europe by the Barbary Pirates and sold into slavery in said Middle-East slave trade. It would be refreshing.
See All 2 User Reviews
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  • Channel Four Films
  • Diproci
  • Ghana National Commission on Culture
  • Mypheduh Films
  • Negod-Gwad Productions
  • Norddeutscher Rundfunk (NDR)
  • Westdeutscher Rundfunk (WDR)
May 28, 1993
2 h 5 m
One must return to the past in order to move forward
Berlin International Film Festival
• 1 Nomination
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