Pirates

Through his infectiously likeable and talented protagonists, Yates’ rollicking dialogue captures the brilliance of youth in all its bold foolishness and earnestness.

In a world where everything is hyperconnected, Pirates looks to revel in a simpler time when neighborhoods were worlds unto themselves. This reveling is something it achieves with flair and room to spare, as a fully-fledged writer-director steps up to make his mark.

Everyone commits to Pirates as if it’s the first time this story has been told, and in a way, that’s true. A joyous feature film centring around British Black and Asian male teenagers whose problems are exactly the same as every other teenager in the country makes it revolutionary within that familiar framework.

It’s a bouncy, grin-inducing romp through Caribbean takeaways, designer boutiques stacked with Moschino streetwear and one ill-advised trip south of the river.

Pirates is a fine film, and for Peters, Edusah, Elazour, and director Yates, it is undoubtedly a preview of even greater successes to come.

The film pinballs cheerfully about the place, from crisis to crisis, from losing the tickets to getting back the tickets, with no great narrative purpose other than fun.

Pirates isn’t able to fully flesh out the individual journeys of its charming cast. However, it’s a worthwhile trade-off for a good laugh.