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Machete Kills

Critic Reviews

41
Metascore
Mixed or Average
positive
6(18%)
mixed
19(58%)
negative
8(24%)
Showing 33 Critic Reviews
Oct 9, 2013
83
Entertainment Weekly
Machete Kills is gruesomely baroque trash staged with a kinetic freedom that is truly eye-popping, so you can forgive its lapses, like how it goes on a little too long. Rodriguez's only real sin as a filmmaker is that he wants to give you way too much of a crazy ultraviolent good time.
Oct 9, 2013
83
The Playlist
Like its predecessor, Machete Kills is never less than busy with ridiculousness.
Oct 8, 2013
80
Time Out
You’re really going for Rodriguez’s retrohappy splatter: Intestines tangle in helicopter rotors, heads pop in spring-loaded decapitations, and there’s even a new fake trailer up top. Little is believable, and that’s exactly as it should be.
Oct 9, 2013
75
The A.V. Club
Machete Kills is gleefully ridiculous, one-upping the first movie’s jokes, blood, and even its massively heightened self-awareness. No matter how Rodriguez would like to pitch it, Machete Kills isn’t really an homage to exploitation movies as much as it’s a parody of them.
Oct 8, 2013
70
Village Voice
Kills tops the 2010 original by not giving a mierda about logic or character.
Oct 3, 2013
64
Film.com
More focused and less preachy than its exploitation-riffing predecessor, the comparably shoddy Machete Kills nonetheless peters out in the homestretch (and, for some, surely sooner).
Oct 4, 2013
50
Slant Magazine
The films that Robert Rodriguez emulates here are known for similar unexpected narrative turns, but the crucial value that he misses is their actual cheapness.
Oct 10, 2013
50
McClatchy-Tribune News Service
Robert Rodriguez is like that friend who loves to tell jokes, but always goes on and on, well past the punch line. Remember how he beat the living daylights out of his “Spy Kids” franchise? That’s what he’s working toward with Machete.
Oct 10, 2013
50
San Francisco Chronicle
As much as Machete Kills is a reunion and continued revival, it also represents a sort of gentrification of the exploitation genre. It's probably time to move on and let a new generation of kids take a crack at making bad films.
Oct 10, 2013
50
Boston Globe
Rodriguez does a fair job of keeping the zaniness coming: Vergara’s machine gun bra, Gibson delivering exposition in a “Star Wars” prop, bad guys offed by helicopter blades in dementedly creative ways. It’s enough that you’ll hope Rodriguez makes good on that new faux trailer — for “Machete Kills Again . . . in Space.”
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