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SummaryIn the English countryside, the life of three couples is disturbed by a character we shall constantly hear about but never see: the enigmatic George Riley. When general practitioner Dr. Colin inadvertently tells his wife Kathryn that his patient George Riley does not have more than a few months to live, he doesn't know that Riley was Kathryn's fi...

Life of Riley

Metascore
Generally Favorable
70
User score
Mixed or Average
5.5
My Score

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Metascore
Generally Favorable
70
56% Positive
5 Reviews
44% Mixed
4 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
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  • Negative Reviews
Oct 24, 2014
100
RogerEbert.com
Everything in Life of Riley, Resnais makes plain, is a contrivance. Much of the joy and beauty of the movie comes from letting the levels of contrivance fall into place, as with some Rube Goldberg contraption, creating a parallel abstract narrative to the more conventional semi-farcical one unfolding on screen.
Sep 2, 2014
88
Slant Magazine
Alain Resnais's overpoweringly beautiful final film dares to push through the ghosts that inhabit the present, standing between the pessimism of an ill-spent past and the optimism of an undefined future.
Oct 28, 2014
80
Village Voice
Resnais's lightheartedness is infectious as he dispenses with the cinematic "reality" he never quite trusted, shooting the six-person farce on obvious sets, with curtains for doors and flat theatrical lighting.
Oct 22, 2014
63
New York Post
Filmed on abstract sets, it’s full of playful touches, such as lines delivered in front of a screen that looks like a comic-strip panel, and glimpses of a mole puppet popping out from a fake lawn.
Mar 5, 2015
60
CineVue
A postmodern experiment in both form and function, Life of Riley's rigidity can at times feel like its restricting its actors, leaving them unable to treads the boards with the same authority they would on the stage.
Oct 21, 2014
60
Time Out
Shot when the director was 91 and finished just before he died in March, Alain Resnais’s third adaptation of an Alan Ayckbourn play is his gentlest attempt at using the artifice of theater to affirm the reality of imagination.
By David Ehrlich
FULL REVIEW
Oct 21, 2014
50
The Dissolve
Where You Ain’t Seen Nothin’ Yet added layers of meta-reflection to plays (by Jean Anouilh) that are terrific in their own right, Life Of Riley struggles in vain to find cinematic value in one of Alan Ayckbourn’s lesser efforts.
See All 9 Critic Reviews
User score
Mixed or Average
5.5
0% Positive
0 Ratings
100% Mixed
4 Ratings
0% Negative
0 Ratings
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Nov 28, 2021
5
DawdlingPoet
One of the first things I noticed with this film was the bright and vivid colours and the artificial seeming sets. It comes across like a play within a play, with the first scene featuring two characters struggling with their lines and most scenes featuring a backdrop with a disguised curtain, so it appears as if people are walking back into the house when they turn around and walk through the curtains. It has a certain cartoon type feel to it, with other scenes/shots showing the character with an apparently drawn background of black lines on a white background for example. The plot revolves around fairly well off people having to come to terms with a relatives impending demise. It'd be fair to say it features familial bickering. I suppose with the heavy emphasis on dialogue, it could seem a little dull but at least the quirky idents in between scenes (showing where the next setting is based, such as in France or England, or in another building) are nice. The characters are somewhat quirky but it'd be fair to say its not exactly an exciting, action-packed sort of a film, so that may be worth bearing in mind. Its about family gossip and jealousy. The music played ocassionally (very ocassionally) is surprisingly jolly and upbeat sounding, adding again to the quirkiness of the film. I noted scenes of male characters opening up to each other about things, which was quite refreshing to see. There is also (slight) mockery, backstabbing and bickering. Its relatively interesting to see how people respond to finding out secrets, the proverbial 'dirty washing' hanging out for those to see. Its a slow burner but it's ok. Miles from fascinating but mildly intriguing at best, I'd say. I particularly liked the male character who waits for the other character to walk away before swearing and letting out his anger briefly. There is a glimmer of amusement present but it certainly won't appeal to everyone. If it sounds of interest, then give it a watch I say.
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Production Company:
  • F Comme Film
  • France 2 Cinéma
  • Solivagus Productions
  • Canal+
  • Ciné+
  • France Télévisions
  • Centre national du cinéma et de l'image animée (CNC)
  • Sofica Manon 3
  • Cinémage 8
  • La Banque Postale Image 6
Release Date:Oct 24, 2014
Duration:1 h 48 m
Rating:TV-PG

Awards

Berlin International Film Festival
• 2 Wins & 4 Nominations
Big Fandom Film Festival
• 1 Nomination
Buenos Aires International Festival of Independent Cinema
• 1 Nomination
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