Wayward Strand

Wayward Strand is one of the most sophisticated narrative-focused games of recent times and, in its simplicity, manages to be captivating and sensitive without appealing to any cheap sentimentality. It should not appeal to every type of player, but fans of the genre will find here an authentic experience, striking characters, and really meaningful choices.

Wayward Strand offers up a uniquely Australian take on the narrative adventure game with a gorgeous art direction and moving portrayal of hard-working people in a harsh system. Despite a couple of pacing issues and an unforgiven save system, Wayward Strand is an approachable and hugely enjoyable little world to explore and find some catharsis in.

Wayward Strand is a delightfully grounded game, despite its foreign setting. In this small, cozy space there is genuine hope, sadness, anger, and love. These are real people and Casey is a young girl learning how to grasp the world in new ways. Players have the ability to be an active part of this experience and let the world envelop them, or buck responsibility for personal gain. Like Casey, like Tomi, or Mr. Avery, or Dr. Shen, or Esther, or like Joe, I wish I had more time to see and do everything all at once. Alas, in life you do not get a repeat performance. At least here there are bountiful opportunities to make friends, to be compassionate, to listen, to sit, to breathe, and to exist. Each day and each run a chance to do something more valuable than the last.

Playing like an interactive theatre experience, we’re won over by the huge heart of this production, even if the set doesn’t half wobble. [Issue#20, p.91]

Wayward Strand is a great narrative experience but not a game for everybody. The lack of clear direction and rewards can make its simple gameplay loop feel overwhelming, and the grounded themes it tackles aren’t always easy to get through. For those willing to give it a look, though, it’s a game that offers characters who players won’t be able to keep from falling in love with, and the experience it offers will stick with whoever plays it long after the credits roll.

Wayward Stand tells an intimate story that you discover at your own pace. The non-linear design gives you the freedom to personalize your journey through a long weekend at work with your mother. The in-game clock makes the world feel alive and pushes you to follow story arcs rather than meander. While the conclusion is a little lacklustre and there is an absence of gameplay, this is a wonderful passage through a moment in time.

Wayward Strand all in all is a unique enough game that showcases interesting game elements and story with interesting characters and different backgrounds of characters that think, talk, and feel all uniquely different. But with different narrative outcomes and endings it does not feel entirely rewarding to play the game more and more to get those unique differences or moments.

What is really good and interesting about this game, I'm halfway through, is that its *actually* cozy and not fake cozy that looks like an insurance ad or a pop up ad. This is a sweet, weird, comfortable environment full of people doing stuff. It's like the gaming opposite of the Backrooms? It feels like where you're supposed to be. Definitely some glitches and a weird save system bug a great experience so far.

Ghost Pattern has been working on Wayward Strand since 2016, and now the interactive narrative video game is out in the world for everyone to enjoy. Birthed in Melbourne, Australia, Wayward Strand delivers a unique and heartfelt journey available now on PlayStation 4 and 5, Xbox One and Xbox Series X|S, Nintendo Switch, and Steam (so everything, basically!). STORY It’s 1978, and 14-year old Casey Beaumaris, an aspiring journalist, travels with her mother to work on an airborne hospital on the coast of Australia. Casey is writing an article about the airship for her school newspaper all while assisting the nursing staff care for the elderly patients on board. This review will not contain any story spoilers for the residents of the hospital, as it will result in detriment to the overall experience. If you are going to play this game, it is best experienced without prior knowledge of the characters or plot. GAMEPLAY Ghost Pattern has achieved something I have never seen in a video game. I found myself overwhelmed at times with the complexity of multiple narratives unravelling at once. Every character in Wayward Strand has a narrative playing out even if you’re not in their presence. Unlike most games, a character’s story isn’t relying on you, the player, to advance the narrative. It makes the world feel so alive in a way I haven’t experienced before. I would be talking to Ida, a sweet elderly lady who very much reminds me of my late grandmother (RIP), and another patient would be slowly scooting past the room prompting me to quickly wrap up my conversation with Ida in fear of missing out on something. You will never be able to catch everything in one playthrough, this game is best served after multiple playthroughs. Each character you meet is from a different walk of life. The representation in this game is next level; different cultures, illnesses and ages which are usually underrepresented are present in this game. One of my favourite experiences in the game was Ted, an aboriginal character, teaching Casey about the aboriginal flag and briefly touching on the racism his people face daily. The attention to detail in each of the patient’s rooms is phenomenal. Before you even meet the patients you can tell exactly who they are just by their room. Nothing in the rooms are placed there to just ‘fill space’, everything is there for a reason – which is to tell a story. Ghost Pattern has managed to make these characters so personable, you have definitely met at least one of these characters in your everyday life. VISUALS AND AUDIO The art style is gorgeous. It has that aesthetic of the Australian children’s story books I read growing up. The music played throughout the game is perfect for the setting. I hadn’t thought about what a game based in 1970’s Australia should sound like, but this is it. The artwork and soundtrack are so complementary to each other, which uplifts the experience even more. If you’re Australian, you will recognise a number of the voice actors in Wayward Strand. You can catch iconic Australians such as Neighbours’ Anne Charleston, Wentworth’s Jennifer Vuletic, The Castle’s Michael Caton, Blue Heeler’s Jenny Seedsman, and more. Wayward Strand quite possibly has the best and most authentic Australian voice acting I’ve heard in a video game. All of the Australian imagery and sound will be quite comforting to any Australians playing this game. THE VERDICT Ghost Pattern has delivered an experience like no other. The complexity of the simultaneous narratives that unfold around you in real time creates a beautiful experience that should be played by all gamers. I can’t wait to see what is next on the horizon for Ghost Pattern. 8.5/10