Tom Dawson

A vibrantly choreographed, credibly acted Brit-musical propelled by a stream of Take That bangers.

Tracing how the world’s peaks came to be viewed as playgrounds, it needs to be seen on the big screen for its vertiginous images of high-altitude adventurers.

Shot with doc-style immediacy, it expertly builds to a shocking climax.

This dreamily shot US indie is an insightful study of sexual repression and awakening, featuring a compelling lead performance from Brit newcomer Dickinson.

The film reveals how patriarchal values clash with the desires of its female characters to lead more emancipated lives.

[Bertrand Tavernier] pays heartfelt tribute to the directors, stars and composers who ignited his passion.

Director Laura Poitras (Citizenfour) charts her own feelings towards her subject, yet unanswered questions abound surrounding WikiLeaks’ alleged connections to Donald Trump’s campaign.

Joachim Lafosse’s drama is an unsentimentally observed, credibly acted study of a marriage turned sour.

Occasionally rambling, it’s kept afloat by an eclectic soundtrack and Christopher Doyle’s striking urban lensing.

Kooler convinces, but it feels like TV sketches, with not enough laughs.