Norman Gidney

See You Then isn’t perfect, but it is sincere. Its aim is true, and the message of evolution, healing, and growth is sorely needed.

Roher is profoundly lucky to have been around when Navalny’s harrowing story needed to be told, and so are we.

Benson and Moorhead have crafted yet another lo-fi sci-fi masterpiece.

This classically styled thriller plays on universal themes of alienation to deliver a punchy diversion with macabre tints and a love of the genre.

Honk for Jesus, Save Your Soul is a wicked read of religion and a showcase of comic talent.

Call Jane is dripping with amazing actors giving solid performances, but only Banks is given a chance at Oscar bait. Weaver’s Virginia is a sagacious activist with long hair, always reminding the group to keep the goal in mind, but we are cheated of heavier moments with her. What is here is wonderful, but it could have used a few moments of gravity.

Emergency is a sharp, farcical comedy with a message.

I think what sets Rita Moreno: Just a Girl Who Decided to Go for It apart from other end-of-life docs is that this one is just so honest, so forthcoming, and so remarkably detailed. Mariem Pérez Riera has perfectly captured an American icon at the moment we need her the most.

Anchored by an iconic turn from Cobb, in her first lead role, and consistently daring choices from both star and director, We Are All Going to the World’s Fair is one hell of a trip.

Writer-director duo Albert Birney and star Kentucker Audley take us on a whimsical journey that bends timelines and genres, resulting in a consistently absurd, hilarious adventure.