Josh Winning

An engaging new direction for Eli Roth, who offsets the odd tonal hiccup with plenty of ghoulish delights.

Neither a satisfying treaty on diversity and 'race' wars, nor a fulfilling fantasy, it derails at the end of the first act with a confusing moment of anti-heroism, and never recovers.

While the film lacks Christina Applegate’s razor-sharp delivery (though she gets a LOL-worthy cameo) and most of the plot doesn’t make sense, the older ladies warrant a Bad Grans spin-off.

Peachy keen. A luminous, sun-kissed Italian love story brimming with warmth, passion and feeling. This is utterly unmissable.

Weird, twisted and deliciously unique, Medina’s horror taps a dynamic vein in feminism and Giallo-esque gore.

Dave Bautista’s street-level action flick is galaxies away from Marvel gloss, but the Guardians scene-stealer lends physicality to this gutsy, Carpenter-esque B-movie.

Never preachy, always engaging, Al’s follow-up to his 2006 Oscar-winner paints a startling picture of a world in crisis.

The script is straightforward enough, but Lights Out director David F. Sandberg’s careful visuals emphasise shivery mood for something worthy of the Conjuring label.

[An] engaging if straightforward doc.

Inventive camerawork and a creepy (crawly) monster can’t save this messy supernatural horror.