BHBarry

“Little Women” was written and directed by Greta Gerwig and stars Saoirse Ronan, Laura Dern, Emma Watson and a very forgettable total of 5 minutes of Meryl Streep. Based on Louisa Mae Alcott’s novel the film does an injustice to the audience to which it is being exhibited. The large sums the producers spent on promoting the film would have been better utilized in the hiring of a strong editor and an additional writer for the movie is in dire need of a better script and better editing. The scenes depicting the characters and the years in which the events in their lives take place go back and forth so many times that the viewer has to rely upon the hairdos of the sisters in order to try to determine the proper chronology. Casting here is also subject to criticism since Bob Odenkirk (“Better Call Saul”) does not fit the image of the father of the girls nor does Chris Cooper (with enough makeup on to make a teenager look like Methusaleh) make a credible elderly neighbor. Both roles would have been better played by lesser known actors with no prominent identification problems. I give the film a 5.0 rating with a special reward to the Public Relations person since he or she did a better job of hyping the film than did its writer-director in making it.

“The Two Popes” stars Jonathan Pryce (as reformist Pope Francis) and Anthony Hopkins (as traditionalist Pope Benedict) in this bio-drama written by Andrew McCarten and directed by Fernando Meirelles. The film tells the story of German born Pope Benedict as he contemplates renunciation of his papal title and the ultimate ascension of Argentinian born Pope Francis as the successor prince of the Catholic church. This is an interesting and inspiring movie and a tribute to the current Pope whose values and humanity are present in every stage of his career including, most importantly, the manner in which he governs and administers his religious followers as its leader. If the film has one drawback, it is just too long and contains dialogue between these two theological giants that makes it difficult for the viewer to remain focused because of its length. On the positive side, the film gives an introspective look at the makeup of these two men, how they differ in perspective and how really human they both are. Add to that actual footage of real life events, glimpses as to the inner workings of the papacy and spectacular views of the Vatican, all of which are gifts to the viewer for having tolerated the long theatrical experience. I give the film an 8.0 for its honest portrayal of life in the Vatican and those who reside in it.

“The Irishman” stars Robert De Niro, Joe Pesci and Al Pacino in this epic saga of mob life in post World War II America. Based on the book by Charles Brandt and screenplay by Steven Zaillian, and ably directed by Martin Scorcese, the film traces the life of Frank Sheehan (Mr. De Niro) as he rises from meat truck driver to a confidant of Jimmy Hoffa with ties to the “bosses” of the underworld. The film relies upon and uses “flashback” techniques which, if not done properly, might otherwise interfere with the viewer’s experience. In this instance, however, Mr. Scorcese masterfully utilizes the process to tell a story that, in spite of its 209 minutes of screen time, moves smoothly and rapidly from scene to scene. I give the film an 8 for affording the audience a gratifying theatrical experience and, in addition, for giving it the opportunity to witness the extraordinary acting talents of its 3 main stars as they perform under the magical wand of its director.

“Knives Out” was written and directed by Rian Johnson and stars an ensemble cast including Daniel Craig, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Christopher Plummer and an amazing young actress, Ana de Armas. This is an old fashioned whodunit a la the style of Agatha Christie with hints of Hitchcock coupled with a screenplay that compels attention and careful concentration by the viewer. Plot twists and sometimes tongue In cheek dialogue make the film worthy of attending. Handled in the direction of another less skilled writer and director, the film might well have crossed the line into silliness and absurdity. Fortunately, it does not. Although the film itself is not momentous and could be criticized for being longer than it should be, when all is said and done, the film works. I give it an 8 for affording the audience the opportunity to have a light and entertaining theatrical experience.

“A Beautiful Day in the Neighborhood” stars Tom Hanks, Mathew Rhys (“The Americans”) and Chris Cooper in this film directed by Marielle Heller (“Can You Forgive Me”). The screenplay was written by Micah Fitzerman Blue and Noah Harpster based on a feature article by Tom Jurod that appeared in Esquire Magazine. Instead of simply creating a biodrama based on the life of the respected and beloved Fred Rogers, it tells the story of the special friendship between Mr. Rogers and the writer of the Esquire article and how the journalist/interviewer for the article became more its subject than its interviewee. This is a warm and beautiful film showing the special person Mr.Rogers was, the high standards and values he lived his life by and how he tried to impart and share them with each child in his audience as well as those in his everyday life. When I first saw the trailers and promos for the film, I was somewhat taken aback by the plastic smile that seemed to be painted on Mr. Hanks’ face as he tried so hard to emulate, imitate and capture the essence of the person he was portraying. However, in actually viewing the film, the power of Mr. Hanks performance overcame, for me at least, that small visual obstacle I thought I would be encountering which I guess is something that only great actors can accomplish. Mr. Hanks can be Forrest Gump, Sully or even a gay AIDS victim and still carry it off, no small feat when the image of the star playing the role is such a dominant presence.. I give this film an 9 for it not only captures the essence of its main character but allows the audience to gain knowledge and insight into the life of a very special human being.

“Marriage Story” was written and directed by Noah Baumbach (“The Squid and the Whale”) and is, like his prior work, semi autobiographical, as he tells the story of a failed marriage and the lingering affection and feelings that remain throughout the issues and problems facing a divorcing couple with a child they both love. Scarlett Johannson was never better as she interacts with her ex-husband- to- be exceptionally well played by Adam Driver. Remembering that Mr.Baumbach’s background as a child of two divorced parents and the ex-husband of Jennifer Jason Leigh, it is easy to understand where his allegiance lies amidst the two parents vying for the affection of their son. As is so often the case where the writer and director are one in the same, this film could easily have used the input of a third party to edit and minimize lengthy scenes and dialogue as well as a choice in casting (since some of the characters appear to be more like stereotypes than real life individuals). One might argue that these lengthy oratorical performances by the characters gives them an opportunity to exhibit their acting wares and, true as that may be, it adds to the length of the film which could be shorter than its 2 and ¼ hours. All that being said, I give the film a 9.0 because it is a heartfelt and brilliant dissection of the divorce process, those who exploit it and those who are victims of it as written and directed by one of its vital participants.

“The Current War: Director’s Cut” was originally made in 2017 for release that year by The Weinstein Company but when allegations against the company’s President surfaced, the release date was tabled and, in the course of the bankruptcy, the film was modified and sold to another distributor. The phrase “Director’s Cut” was added to the title of the later version to distinguish it from the original which was shown in 2017 at the Toronto Film Festival. This is the story of how electrical power came into being in the country in the latter part of the 19th Century and tells the competitive and almost cutthroat efforts of Thomas Edison (played by Benedict Cumberbach) and George Westinghouse (played by Michael Shannon) to fight for their respective Direct Current vs. Alternating Current means of supplying light and power to an anxious populace. The film also brings into play the role of Niklas Tesla, the visionary inventor who promoted his AC theory, as well as J.P. Morgan who served as the financial backer to the winning process. The acting of Michael Shannon is the only redeeming quality in the film for it, as written by Michael Mitnick and directed by Alfonso Gomez-Rejon, is, quite frankly, a complicated and boring film. With such a powerful story and historical importance, one would expect that those factors alone would carry the film but the script is so confusing and uneven that it makes it hard to follow and understand and, in many instances, leaves the viewer“in the dark”. I give the film a rating of 5.0 with one of the points going to Mr.Shannon for his fine performance.

“The Laundromat” stars Meryl Streep, Gary Oldman, Antonio Banderas and a host of other “A List” actors in cameo roles that I’m sure all of them wish they had never filled. This movie, written by Scott Burns and directed by Steven Soderbergh, is simply not a good film and ranks among Ms. Streep’s lowest endeavors, almost equaling her disasterous participation in Mamma Mia (except here at least she doesn’t sing). In an unnecessary and very patronizing narrative, Messrs. Oldman and Banderas talk and walk us through the film as they explain to the audience the basics of economics and the skill of creating and maintaining off shore corporate entities. Mr. Oldman in particular, portraying a German born lawyer with a bad hairpiece, is an annoying distraction as he wanders in and out of the accent he has so much difficulty in trying to maintain. Both Mr. Oldman's make-up person and dialect coach should have been replaced since neither did their job well. This, coupled with so many other flaws, adds to the viewer’s general discomfort. To make matter worse, there are many inconsistencies and plot problems in the film all supporting the fact that it simply does not work. I give the film a rating of 4.0 and suggest that the writer and director “clean up” their act (pun intended). Since the film is concurrently being exhibited both on Netflix and theatrically, I suggest streaming it in order to save lots of time and expense.

“Parasite” is a South Korean film co-written and directed by Joon-ho Bong. It tells the story of two families whose fates and directions intersect and become interwined in a series of plot twists and turns that sometimes boggle the ability of the viewer to enjoy the film. This is a movie that just can’t seem to make up its mind…is it a comedy…or is it a tragedy…or is it both. Also confusing and somewhat annoying are the English titles that seem to clash against and appear inconsistent with the words being spoken by the actors. At a minimum this recurring inconsistency between the titles and the spoken words became for this writer, at least, a major distraction. Rarely have I seen a film receive such unwarranted and undeserving praise and accolade by the critics who I can’t believe saw the same movie I did. I found the scenes in the film to be drawn out and the movie itself to be unnecessarily long, again the penalty for having the writer/director charged with editing (or failing to edit) his own work product. I give the film a 5.0 rating and recommend it to anyone looking for a nice nap in a movie house..

“Pain and Glory” is Pedro Almodovar’s 21st film and brings out the best in him, his writing and directorial talents as well as the acting performances of Antonio Banderas and Penelope Cruz. The film is difficult to summarize because it follows no traditional formula but, instead, takes us through the life of an aging film director victimized by depression, ill health and a feeling of failure despite the world bestowing upon him the accolades his body of work so richly deserves. Start engraving the Oscar statuettes with Mr. Banderas’ name on it for he will certainly be a leading contender for the Best Actor Award and don’t misspell Mr. Almodovar’s name on his when the Best Director Award is handed out. I give the film an 8.0 for it is truly a worthwhile theatrical experience.

“Where’s My Roy Cohn” is a documentary covering the life of this flamboyant and obviously intelligent lawyer who, in his early 20’s became counsel for the infamous Joseph McCarthy and his Committee investigating allegedly un-American activities in government. Directed by Matt Tynauer, it is also the story of a self hating Jew and an equally self hating gay man who attacked homosexuals with the same vigor and vitality as he did in the pursuit of those same men to whom he was romantically attracted and sought. More than anything it is the study of evil and how it can harm innocent and principled entities and people and hopefully teaches us how to cope with it and, perhaps, even help us avoid its presence. I give the film an 8 for it not only entertains but informs as well.

“Downton Abbey” is the long awaited feature film version of the six season television series that was previously shown on PBS and, like its creator, was also written by Julian Fellows, The film was directed by Michael Engler and stars all of the usual suspects including Elizabeth Mc/Govern, Hugh Bonneville, Maggie Smith and Michelle Dockery. It is difficult to write a review of a film where this viewer, at least, has seen all prior television episodes. As a result, its feature length counterpart appears to be more like another but longer episode of its parent television series. For those few unfamiliar with the series and its characters, I would assume that for them there is a problem in not understanding the true nature and history of the characters that past viewers had a chance to learn, absorb and understand over 6 years of television watching. To that extent those “uneducated” viewers will be seeing an interesting and well acted film presentation with extremely high production values in a well written format.. For those experienced veterans of the series, it will be like “old home week” seeing the beloved and respected group of noble persons and their staff as they encounter diverse and interesting plots and plot twists where the viewer is involved until the very end of the theatrical experience. The latter type of viewer, most of whom were in the audience in which I saw the film, acted much like a group of dedicated groupies at a music concert where the performers could do no wrong regardless of the performance. Factoring all of the above I give the film a rating of 8 because, when all is said and done, it is an enjoyable film to watch and despite its 2 hour and 15 minute length, the only watch you will look at is the one held in the hand of Lord Crawley as he awaits the call for dinner.

"Before You Know It" stars Hannah Pearl Utt, Jen Tullock, Judith Light and Mandy Patinkin in this quirky film which was directed by Ms. Utt who co-wrote the screen play with Ms. Tullock. In addition, these two ladies also star in the film and help to relate a simple story of life in the Village where, as two sisters, they work and live in and above their father's small and unsuccessful theater. There is very little substance to the film which, for some mysterious reason, never makes the viewer feel bored or deprived. However, even with support from a number of cameo appearances, such as the likes of Alec Baldwin, the film never succeeds to go beyond its built in plot limitations. I give the film 2 a rating of 6.0 and suggest that if nothing else is playing that you want to see, then this might the choice in order to save an otherwise wasted trip to the cinema.

"The Peanut Butter Falcon" was written and directed by both Mike Schwartz and Tyler Nilson and stars Shia LaBoeuf, Bruce Dern, Dakota Johnson and an amazing actor, Zack Gottsagen, who, in real life has, and who plays the role of, a young man afflicted with Down syndrome. This is a tender and sweet story of a disabled person with a dream and of those willing to assist him in attaining it. Unfortunately, the powerful message is conveyed via a thin vehicle that would better have been exhibited as a short film for there just isn't enough substance to sustain and carry it as a full length feature. I give the film a rating of 6 for, in attempting to be a modern day Hucklebery Finn saga of life on or near the Mississippi, the film goes nowhere and, like the current on the river, continues downstream to its shallow end.

"After the Wedding" is a remake of the 2006 acclaimed Danish film of the same name written by Susanne Bier. This new version, with an adapted screenplay by Bart Freundlich, who also directed the film, stars Mr. Freundlich's wife, Julianne Moore, and Michelle Williams, Billy Crudup and Abby Quinn. Remembering the old adage, "if it ain't broken, don't fix it", I found the film to be interesting and, in the case of Ms. Moore, extremely well acted, but that's where the accolades end. Although only 110 minutes in length, it seemed longer. Also, Ms. Williams' performance was under stated and so low key that it looked like she "phoned it in" for it lacked the emotional dedication that one would expect from someone playing her character. I give the film a 7 with a suggestion to Mr. and Mrs. Freundlich that it's sometimes better for an artist to create an entirely new work of art than to try and touch-up an old painting.

“Once Upon a Time…in Hollywood” stars Brad Pitt and Leonardo DiCaprio and was written and directed by Quentin Tarentino. Imagine trying to rate a dinner cooked by a chef when the oven fails and you have to wait until a later time to finish the meal. This is the situation I found myself in when, a week ago and 2/3 into the film, the entire theater complex went dark due to a power failure and I had to catch the last 1/3 of the film 7 days later. So now, with that burden disclosed and acknowledging that I never was really a fan of Mr. DiCaprio, I must confess that I found the film not only entertaining but well written and well acted too. Mr. DiCaprio was thoroughly believable as a “Clint Eastwood type” who, like Clint, goes from Western TV actor (i.e. “Rawhide”) to spaghetti-western star, as his character's life ultimately interwines with his neighbors on Il Cielo Drive in the hills above Sunset ****, ultimately, the intruding members of the Manson family. Brad Pitt is absolutely superb in his role as the friend of and stunt man for the DiCaprio TV western star. Having lived and been part of the early days of TV as well as the Tate-LaBianca killings, the film is really a trip along nostalgia lane as the viewer is once again reminded of the many landmarks in Los Angeles in the late 60’s and early 70’s. Perhaps this is why those who have no familiarity with the city or the time in which the film takes place found it less enjoyable to watch. All that being said, this is a movie about Hollywood and those who earned their livelihood in it aided by excellent performances from its to two leading men and a host of major stars in cameo appearances. I give the film a 9 for, despite its almost 3 hours in length, for me, at least, it was a worthwhile and positive theatrical experience.

“The Farewell” is a charming film written and directed by Lulu Wang with a Chinese cast who speak both Chinese and English throughout (since a lot of the filming occurred in New York City with the remainder in a suburb of Beijing. I mention this because many viewers are turned off by English titles but this film’s intermingling of English and Chinese dialogue makes it an enjoyable experience in spite of anyone’s aversion to this process. This review contains no spoiler since the film’s trailers and advertising let the prospective viewer know that this movie involves a Chinese family coping with the news that the beloved grandmother has been given only weeks to live and, per cultural customs, has decided to keep the news from her so that she can “enjoy” her remaining time with them. The lead actress, Akwafina, plays the U.S based granddaughter who travels to China to join the rest of her family there. It is this interplay with all her relatives that affords the writer/director the opportunity to create and blend comedy and drama all in the same vehicle. The film captures the essence of what true family is all about regardless of the culture, race or location of the events that may befall them. It is the film’s universal appeal and fine acting that earns this film an 8 rating and, if nothing else, will, to quote Ms. Wang, "make those leaving theater feel the need to call their grandmother".

"Maiden" is a documentary directed by Alex Holmes which tells the story of Tracy Edwards, a 24 year old sailing vessel cook who, in 1989, together with her female companions, skippered the first all female crew to compete in the Whitbread Sail Around the World contest. More than the story of a sailing contest, it is a testament to the tenacity and vision of this young girl who, despite the chauvenism of the sailing community, achieved her goal and realized her dream. This is film that every young woman should see and appreciate for it demonstrates that dreams can become reality in spite of the prejudices of a male dominated society and the obstacles in general that every dreamer must inevitably encounter. Although the film could just as well have been exhibited in a much shorter version, the viewer nevertheless experiences and understands what these adventurous ladies had to encounter and how meaningful what they accomplished meant to all womanhood far and beyond the contest they participated in. I give the film an 8 for it is as inspirational as it is entertaining.

“Last Black Man in San Francisco” is a film starring Jimmie Fails, Jonathan Majors and Danny Glover. Fails, who plays himself in the film, wrote the story which so resembles his own and Director Joe Talbot together with Rob Richert co-wrote the screenplay. This is a tender, warm, well written and well acted story of the city of San Francisco and its diversified and unique group of residents who struggle to survive, recapture and hold on to their past. But the real essence of the film and its story is family history and how difficult it is to remain close to it as the adult years overtake us. I give the film an 8 rating and suggest that after seeing the film the viewer will leave more than his or her heart in the city by the Bay.

The Spy Behind the Plate is a feature length documentary written, produced and directed by Avila Kempner. Using interviews, films and photographs of those who knew him, it tells the story of Morris "Moe" Berg who, as a professional baseball player, attorney, writer and member of the OSS (the predecessor agency to the CIA) helped his country as a spy prior to and during World War II. Well versed in 10, some say 12, foreign languages this major league catcher with degrees from Princeton and Columbia rose from his first generation background to become one of the most interesting and provocative figures in the field of espionage and sports. Well edited and written, the film deserves and gets an 8 rating as the audience is given the opportunity to learn much about this relatively unknown American hero. be

"Late Night" stars Emma Thompson, John Lithgow, Mindy Kaling and a host of other supporting actors in this film whose screenplay was written by Ms. Kaling ("The Office", "The Mindy Project") and directed by a very talented Nisha Ganatra. Well paced and equally well written Ms. Thompson brings to the role a broad spectrum of drama and comedy as she portrays a late night talk show host facing personal and professional issues as she is aided and abetted by Ms. Kaling's character. I give the film an 8 and recommend it for a rare and enjoyable movie experience not available to the viewing audiences during these past few months.

“Long Shot” stars Seth Rogen and Charlize Theron in this rom-com film written by Dan Sterling and Elizabeth Hanna and directed by Jonathan Levine. Although not a noteworthy effort on the part of any of the creative talent, and, despite some raunchy scenes, the film succeeds in holding the interest of the audience as it enjoys s some funny lines and scenes. An unlikely pairing of Mr. Rogen and Ms.Theron fortunately does not stand in the way of this being a movie one can simply lean back and enjoy as it moves to its predictable and satisfying conclusion. I give the film a 7 rating for its simple aim is to please the viewer and, indeed, it does.

"Hotel Mumbai” is an Australian film directed by Anthony Maras who co-wrote the film with John Collee. The film tells the story of the invasion and near destruction of the famous Taj Hotel in Mumbai, India by Jihad Terrorists. Starring Armie Hammer, Dev Patel and Jason Isaacs. the characters portray those caught in the midst of this terrorist attack and the efforts of staff and guests to survive. Were it not for the fact that this is a true story of an incident that actually occurred about 11 years ago in the city of Mumbai, India, it could easily be dismissed as simply another action film made to suit the whims and tastes of a modern audience. However, knowing that all of what is depicted in the film did, in fact, take place, coupled with the excellent editing and interjecting of actual voices and newsreel film, it causes the audience to be riveted in their seats as the 2 hour film speeds by with action, drama and suspense.I give the film a 7.5 rating for it gives insight into not only the victims but the perpetrators as well and makes for a powerful theatrical experience.

“Working Woman” is an Israeli film depicting the frustration of a vulnerable member of the work force as she is victimized by the sexual harassment of her employer and how difficult it is for her (and for so many other women similarly situated) to cope with the awkwardness of the role in which she has been placed. Foreign by definition both in language and origin, the film is universal in its appeal for what befalls the heroine in this movie could occur anywhere in the world proving that “bad boys will be bad boys” regardless of the language they speak. I give the film an 8 rating with special acknowledgment to Michel Aviad who, as director and co-writer of the film, has captured the humanity and plight of its leading character.

“Gloria Bell” stars Julianne Moore and John Torturro in the English version of Sebastian Lelio’s Chilean film entitled “Gloria” which,, like “Gloria Bell”, he also wrote and directed. This film, but for the language and locale is the same film as “Gloria” so American audiences can now see it absent subtitles and with a new leading lady. This is the big difference because although similar in almost all other respects, Ms. Moore dominates this film as only great and talented actresses can. Superficial and non-dimensional, the story is light and thin but what Ms. Moore does with the material makes it a worthwhile theatrical experience.. It’s hard to imagine this movie without her and, as a result, I give the film a rating of 7.

"Never Look Away" is a film written and directed by Florian Henckel von Donnersmarck. He also directed two previous and notable German films, one entitled "Black Book" and the second "The Lives of Others". The latter film won an Academy Award as the Best Foreign Language film in 2006 and both films received 4 stars from this reviewer because of their clarity. power and the wonderful theatrical experiences they created. One of the common threads in each of the two prior films and in this one as well is the presence of Sebastian Koch, a dominating figure on the screen. Here Mr. Koch co-stars with Tom Schilling and Paula Beer in this saga that begins in1940 under the reign of Adolph ****, moves forward through the era of the German Democratic Republic in the eastern part of Germany and then finally concludes its story in the west. Loosely resembling the life of artist Gerhard Rickter, the film is filled with coincidences and drama that keep the viewer deeply involved as the young artist, portrayed by Mr. Schilling, looks for and attempts to find his own reality amidst the politics and autocratic regimes of the Third Reich and the GDR. The film is 188 minutes in length but never has a 3 hour plus film been so easy to watch and that is due mainly to the superb writing, directing and acting of those in it and responsible for it. Kudos, too, to Caleb Deschanel whose camera work has earned him an Academy Award nomination for Best Cinemaphotography. I give this film a 10 rating and can easily understand why Germany made it its entry for Best Foreign Language film of 2018.

“Velvet Buzzsaw” stars Jake Gyllenhaal and Rene Russo. Written and directed by Dan Gilroy, this is a film that just can’t make up its mind nor can some of the characters in it. Mr. Gyllenhaal’s character struts throughout the film as a homosexual art dealer but all of the sex scenes are between him and other women. Likewise, the film itself purports to be a satire on the art scene yet it also tries to be a horror film never fully or committing under either label. Currently being exhibited on both Netflix and in local theaters, the film doesn’t deserve tp be seen in either venue. I give the film a 1.0 ratingar and suggest that a blank tv or movie screen will be more entertaining than this poor attempt at entertainment

"Who Will Write Our History" is a docudrama directed by Roberta Grossman who co-wrote the film with Samuel Kassow based on his novel of the same name. The film tells the story of Emanuel Ringelblum and a group called the Oyneg Shabes, the secret archive he created and directed in the Warsaw Ghetto. With 30,000 pages of writing, photographs, posters, and more, the Oyneg Shabes Archive contains eyewitness accounts documenting not only how the Jews of the ghetto died, but how they were forced to live. Most interesting is the fact that the actual films shown (obtained through the British archives) were taken by German soldiers so the audience sees the torture and inhumane acts thrust upon these vulnerable and defenseless individuals through the camera lenses of their captors. This is a review of a film that rates a 9 for, although it is not entertainment in any sense, it does outline and display man's inhumanity to man and how those, faced with almost certain death, attempted to guarantee that the outside world (from which they were excluded) would some day learn the horrors they faced and the evils they encountered. As with all such acts of intolerance and terror, one must ask "why", and, sadly, it is a question that still remains unanswered even as of today.

“On the Basis of Sex” is the story of one notable period in the life of Justice Ruth Bader Ginsburg and how she successfully argued in Federal Court that statutory bias and discrimination based on a subject’s gender was unconstitutional. Directed by Mimi Leder with a screenplay written by Justice Ginsburg’s nephew, Daniel Stiepelman, the film portrays this dynamic lady as a crusader for the rights of persons of both sexes and lets the viewer know and understand the tenacity and perseverance of this legal giant. Aptly portrayed by Felicity Jones in the leading role, Ms. Jones is supported by by Armie Hammer, Sam Waterston and Justin Theroux. Having attended the same law school when Justice Ginsburg studied there, I can personally attest to the very few female law students in attendance and how extraordinary they had to be in order to gain admission to this restricted legal club .Clearly, Justice Ginsburg is the embodiment of the best of the best of all of them. I give this film an 8 for its interesting story and the entertaining manner in which it was able to relate the historical significance of all that Justice Ginsburg achieved.

“Vice” is a biodrama and history of the life and career of Dick Cheney, Congressman from Wyoming, and more notably the Vice-President under President George W. Bush. The film was written and directed by Adam McKay and stars Christian Bale in the title role with Amy Adams as his wife, Lynne Vincent Cheney. Also appearing in the film is Steve Carell (as Donald Rumsfeld) and Sam Rockwell (as George W). This is the story of a partnership between an iron willed wife and an ambitious husband who, together, forged their way from average beginnings to the inner workings of their nation’s decision making process. Those interested more in our country’s recent history than pure film making will get more from this experience than the average viewer. That being said, one must acknowledge the “Meryl Streep” ability of Mr. Bale to transform himself, both physically and professionally,into the essence of the character he portrays. He succeeds so well that in what are obvious recreations of real events, the moviegoer could well believe that the real Mr. Cheney was actually in the scene. There is no question that the writer/director has a definite point of view but, in spite of that, he is able to portray his lead subject with a mixed sense of loyalty to his country and a fierce dedication to his wife and family, indeed the complex traits of a very complicated public servant. I give the film an ratin for, despite its 2 hour and 25 minute running time, the audience is never bored or without interest with what it is appearing on the screen and, after all, isn’t that what film making is all about.

“Roma” is a film written and directed by Alfonso Cuaron and is his attempt to pay homage and acknowledge his childhood in the Roma section of Mexico City as well as the housekeepers that cared for him and his siblings. Filmed in black and white this film has become the choice of so many critics and award entities so I find myself again at odds with the so called pros for this film, as good as it is, is not great, nor in my opinion is it worthy of the accolades being heaped upon it. This is the story of a family, a marriage and those who kept house for **** that is where it all really begins and ends. So, like a fly on a wall, we watch the residents and servants interact in a really not too exciting series of mundane events as they go about their assigned chores and fulfill their designated roles. I give the film a 6 rating as I continue to wonder what the excitement regarding it is all about..Perhaps the highest award should go to the distributor’s PR firm for being able to generate such unwarranted hype and activity..

“”The Mule” is a film written by Nick Schenk inspired by Sam Dolnick’s piece in the New York Times Magazine entitled “The Sinola Cartel’s 90 Year Old Drug Mule”. The film stars Clint Eastwood, Bradley Cooper, Michael Pena, Laurence Fishburne, Andy Garcia and Diane Wiest so, one would think with a stellar cast like that, the film just had to be good. It is not. Mr. Eastwood plays the 90 year old subject too well for he’s lost the core of his image and one feels more sadness than respect for this aging icon who looks more like the grandfather of the star we once knew than the presence we were hoping to experience. Perhaps it’s the penalty of being too dynamic and great in the who we once were than the person we are now. The script and story lack depth and, although never bored, the viewer is mindful that nothing significant is going on as the picture, like the mule’s truck, just travels forward without meaning or destination. I give the film a 6.0 rating proving that an aging star with support from many cameo players cannot necessarily guarantee a positive theatrical experience.

“Mary, Queen of Scots” stars Saoirse Ronan in the title role together with Margot Robbie as Elizabeth I in this epic biodrama of 16th Century politics, religious prejudice and royal intrigue. Directed by Josie Rourke and based on the novel by John Guy who co-wrote the screenplay with Beau Willamon (the writer and producer of “House of Cards”), this is basically the story of two cousins forced by their male advisors and counsel to be at war with each other and the kingdoms claimed to by each. For history buffs, this is a film that will put a new perspective on the life and reign of Mary who, until now, was thought of as an immature monarch placed in a role for which she was ill prepared. Instead Messrs. Guy and Willamon show Mary to be a spirited, wise and dedicated ruler who was, according to all records, the rightful heir to the kingdom and thrones of both England and Scotland. Interesting to note that today’s British monarch, Elizabeth II, is a direct descendant (11 times removed) of Mary. I give this film am 8 for its historical value and the quality performances of the ladies who portray the two queens.

"Shoplifters" is a Japanese language film written and directed by Hirokazu Koreeda. This is a difficult film to watch for a number of reasons, the most prominent being that the script and the story it tells is confusing and almost impossible to follow. The last third of the film tries to explain who the characters really are and the motivations each has in relation to the other but this places too much of a burden on the audience who, for 2/3 of the film had to sit adrift and at sea in trying to find out exactly what is going on. Much like the critics of the artsy Ingmar Bergman movies, so many of the critics who loved this film saw more in it than I believe the writer/director ever intended. The editing room needed someone in it in addition to Mr. Koreeda in order to give objective cuts, segues and scene placement changes so that the story sought to be told would be more easily understood. In its present form, however, and bearing in mind the kindness of the season, I it a 6.0 with the responsibility for this low rating falling squarely on the shoulders (and probably the ego) of Mr. Koreeda.

"Green Book" is the true story of Dr. Don Shirley, the great classical/jazz pianist and his famous 1960's tour of the deep south accompanied by his driver, Tony Lip Villelonga, as they travel together using the infamous Green Book which served as a guide for African American travelers as to where they could and could not find accommodations in the southern part of our nation. As the book so brutally states in its logo "avoid aggravation on your vacation". The film stars Mahershala Ali as Dr. Shirley and Viggo Mortensen as Tony Lip Villelonga. Directed by Peter Farrelly who co-wrote the screenplay with Bruce Currie and Nick Villelonga, this is a warm and deeply moving story of the plight of a talented world class musician who, like most black entertainers in that era, could perform and entertain in the "white only" establishments but could neither sleep nor eat there. The film serves as a great reminder of how demeaning and wrong the culture was in all too many parts of our country and how so many of its citizens were robbed of the dignity and rights they were otherwise entitled to have and enjoy. Although Mr. Ali's performance was noteworthy, the true star of the film is Mr. Mortensen who, deviating from his normal "leading man" role, portrays the Bronx born and raised Tony Lip Villelonga with sensitivity and caring in spite of, and perhaps maybe because of, his Italian American heritage and upbringing. I give this film an 8.0 rating and suggest that it be seen by all who wish to understand where we were as a nation 56 years ago, where we are now and how far we still have to go.

"At Eternity's Gate" is the beautifully told story of the life of Vincent Van Gogh brilliantly portrayed by Willem Dafoe. Supported in the film by Rupert Friend and Oscar Isaacs, the film was written by Jean-Claude Carriere, Louise Kugelberg and Julian Schnabel, the latter of the three who was also the director. This biographical drama of the life of this great artist puts Mr. Dafoe's portrayal of him onto the short list of Oscar nominees for best actor. Admittedly those not interested in Mr. Van Gogh or the art movement he helped create will not be as interested in seeing the film as those of us who are. The film takes us through the artist's life from his own perspective and presents facts based on common folklore as it explores his struggles with imagination and reality and, ultimately, untimely death. I give the film a 7.5 for it presents to the viewer an interesting theatrical experience as well as a view of the artist not present in the two prior films made about him.

> "Boy Erased" is a film dealing with gay conversion therapy and stars Lucas Hedge, Nicole Kidman and Russell Crowe. Based on the real life memoir of writer Garred Conley the film was written and directed by Joel Edgerton who also plays one of the "counselors" in the controversial facility. This is not simply a message film but rather a deep and emotional exploration into the workings of an Arkansas family and the life style choices its members are forced to make. Kudos to Ms. Kidman and Mr. Crowe for their fine performances but the film really belongs to Lucas Hedge who, although subjugated to supporting roles in "Manchester by the Sea", "Lady Bird" and "3 Billboads in Montana", brings an honest and moving portrayal of a troubled teen seeking asylum and peace in a world not of his making. I give the film an 8.0 with a reminder that of our 50 states, 34 of them still have not banned this archaic and medieval attempt to change an individual's sexual preference.

"A Star is Born" stars Bradley Cooper, Lady Gaga, Sam Elliott and Andrew Dice Clay in a film directed by Mr. Cooper and co-written by him, Eric Roth and Will Fetters. Bradley Cooper and Lady Gaga give superb performances with special kudos to Ms. Gaga who was a pleasant surprise both as to her acting and vocal talent. Unfortunately, for this viewer at least, I was, throughout the film, extremely conscious of the Janet Gaynor/Frederick March, James Mason/Judy Garland and Kris Kristofferson/Barbara Streisand versions of the film and because of that, they got in the way of my ability to just sit back and watch the scenes in the latest remake unfold. Although set in the genre of contemporary rock music, the film differs little from its predecessors with the viewer knowing exactly how each predictable circumstance would play out and curious only as to how the newest version might modify the old. There should be a statute of limitations on how many times you can remake a film and this latest one is a good argument for it. I give the film a 7.0 and suggest that it be seen by only two types of audiences, one looking to see Lady Gaga in a totally new dimension and the other for that rare individual who never saw any of other three films.

“Love, Gilda” is a documentary directed by Amy Dapolito which gives the audience a rare and introspective view of the life of the late Gilda Radner. Utilizing audio tapes, taped interviews, letters, home movies and her own diary, the film tells Ms. Radner’ s story via the voices of Amy Poehler, Melissa McCarthy, Lorraine Newman and other friends and acquaintances of the of the late comedienne. From an endearing and overweight child to a talented and fun - loving performer, we learn of her ups and down througho ut a life that ended much too soon. I give the documentary a 7.0 rating and suggest that the film be seen by those who care about and/or are interested in this interesting and courageous lady

“Blackkklansman” is the true story of a black detective who infiltrates the local chapter of the Klu Klu Klan. Based on the book written by Ron Stallworth, directed by Spike Lee and co-written by Mr. Lee with David Rabinowitz, Charles Wachtel and Kevin Wilmott, the film stars John David Washington and Adam Driver. Perhaps staying too true to Mr. Stallworth’s book,the film gives really no insight or depth to any of the characters as they portray the real people they represent. Mr. Lee does make his point, however, but seems to bring it home more with a hammer than a scalpel. I did enjoy the film mainly because of the unique premise that a black detective (Mr. Washington) could infiltrate this body of hate via the physical persona of his fellow detective (Mr. Driver). I give the film a 7.0 because of the worthiness of its message and the incredible story it tells.

“Crazy Rich Asians” is a delightful film directed by Jon M. Chu with a screenplay co-written by Adele Kim and Pete Chiarelli based on the novel by Kevin Kwan. This is the first all Asian film since ‘The Joy Luck Club” which was shown some 25 years ago. Hopefully, it will not be the last. This a universally appealing piece of film making where, by chance, the participants are of Asian descent but all of us, Asian and non –Asian alike, can identify with the problems, circumstances and situations that befall the main characters in the film. True, it has a formula-style boy/girl/family plot but, because of the fine acting, editing and directing, the audience is able to just sit back with ease and enjoy how the story unfolds. Also, for those who have never been to or seen Singapore, the film offers an opportunity to view this exotic place that, in some instances, makes Dubai look like a shanty town. I give the film an 8 and offer it as a very pleasant way to spend 2 hours watching characters engaged in a fun-filled romantic tale.

“Juliet, Naked” stars Ethan Hawke, Rose Byrne and Chris Dowd in a film directed by Jesse Perez and written by his sister, Evgenia, Tamara Jenkins and Jim Taylor. With 3 co-writers you would expect that the end product would be more than a simple film with a simple plot but, unfortunately, it is not. I was never too great a fan of Ms. Byrne, but she shows a side of her ability in the role she plays that makes her endearing and enjoyable to watch. Mr. Dowd and Mr. Hawke also add to the film but all of them cannot overcome the basic shallowness of the script and lack of the depth of the characters they portray. I give the film only a 6 notwithstanding the fine efforts of the actors in it.

“The Wife” stars Glenn Close and Jonathan Pryce in a film directed by Bjorn Runge, based on the novel by Meg Wolitazer and a screenplay written by Jane Anderson. The film examines the life and history of a couple married for almost 40 years and how a prestigious literary award impacts upon and affects their lives and those in their family. Ms. Close is at her finest and gives the audience the gift of portraying feelings and emotions more from her deep and expressive eyes than paragraphs of spoken dialogue she could ever physically utter. I give the film a 9 and recommend it to all who enjoy a well directed movie, a quality script and acting performances that do it all justice.

“The Cakemaker” is an Israeli film starring Sarah Adler and Tim Kalkhof. Written and directed by Ofir Raul Grazier the film’s locations are in Berlin and Jerusalem. This a story of love, religion and clashing cultures. Although the film is interesting, it is, in this viewer’s opinion, too slow. On the positive side, it details daily life in Israel and how important it is for those living there to adhere to certain orthodox rituals. Unfortunately, the writer/director asks the audience to take certain leaps of faith and logic that I found hard to easily accept. I give the film a 7 since its premise and the problems it poses are more universal in scope than limited simply to those living in Germany and/or Israel.

Bcc) Details “Won’t You Be My Neighbor” is a film documentary chronicling the life and career of one of the most beloved television personalities who ever appeared on the screen, Fred Rogers (aka “Mr. Rogers”). Morgan Neville, the documentarian and director of this film has captured the essence and purity of this beautiful man whose sole aim in life was to enhance and better the lives of the small children he was able to come in contact with via the medium of television. His almost 2000 tv episodes sought not only to entertain but to help those in his young audience to understand the evils of bigotry, the heartbreak of divorce, the challenges of illness and the sadness of death, all topics previously unknown and untouched on children’s television shows. Ordained as a Presbyterian minister Mr. Rogers never preached to his flock but, instead, chose to communicate with them and, by doing so, achieved their love, affection and respect. More than that, Fred Rogers was off the screen the same person he was on it. He lived his every day life believing and espousing that we are all special and that what all of us really want in life is to love, be loved and to be worthy of that affection. I give this film a 10 rating and answer the question in the film’s title in this manner: “Yes, Mr. Rogers, I would have loved to be your neighbor and, even more so, your friend.”

“Three Identical Strangers” is a documentary based on the true story of triplets separated at birth who, by some miracle of coincidence or divine providence, are reunited at 19 years of age. Directed by Tim Wardle, this is a moving film and depicts and describes what motivated and caused their separation as well as the lives the 3 led prior to their learning that they were so directly related. What would seem, at first, to be a difficult story to tell, the film holds the interest of the audience as events unfold to make this story something that seems only a writer of fiction could conjure up. Yet, as is so often the case, the truth here is stranger and more interesting than any literary talent could create or ask an audience to believe. I give this documentary an 8 and urge all who can not to miss the opportunity to see it.

“Boundaries” stars Vera Farmiga, Christopher Plummer, Christopher Lloyd and Peter Fonda in a film written and directed by Shana Feste. This is a long movie to watch because it is at times dull and without purpose as this father/daughter/grandson relationship unfolds on the screen. I found myself checking the time on my watch as the story unfolded for the film seemed much longer than its 107 minute length. The film once again proves what can happen when the writer is also the director and, as a result, objectivity is lost to the territorial needs of the film’s creator. I give the a rating of 5 with special kudos to the talent of Mr. Plummer who, despite his best effort, couldn’t get this film to cross the boundary line of traveling from average to good.

“Hearts Beat Loud” takes place in the Brooklyn neighborhood of Red Hook and centers on the relationship between a father and his daughter and the music that linked them together. The film stars Nick Offerman, Kiersey Clemons, Blythe Danner, Toni Collette and Ted Danson. Directed by Brett Haley and co-written by Mr. Haley and Marc Basch, this an uncomplicated and easy film to watch with characters that are real and with whom the viewer can readily understand and identify. I give the film an 8 for, more than anything else, it makes for an enjoyable 91 minutes of theatrical entertainment.

“American Animals” is the true story of an art heist portrayed in part by those who actually participated in it. The intermingling of the real life participants in the story with the actors who were playing them gives credibility to the film and creates an interest and excitement with a deeper dimension than one might otherwise expect in a crime drama. Written and directed by Bart Layton, with a cast of little known actors, this is a film that not only holds your attention but draws you into the problems and pitfalls the would-be robbers face as these novice felons engage in the planned theft. Truth here is not only stranger but many times more interesting than if someone has simply imagined this sequence of events. I give the film an 8 for not only being entertaining but also for the unique manner in which the story was told.

“Overboard” stars Anna Faris, Eugenio Derbez and Eva Longoria in this remake of the 1987 film which starred Goldie Hawn and Kurt Russell. The film, co-directed and co-written by Bob Fisher and Rob Greenberg, is a trite and near absurd story that spells “formula film” all the way and, for that reason, challenges the viewer’s logic and patience. I give the film a 2 and suggest that the original directed by the late Garry Marshall is really the one to see. If you forget the title,think "over-bored". Reply Reply All Forward