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SummarySet in a remote village where the church and the mosque stand side by side, Where Do We Go Now? follows the antics of the town's women to keep their blowhard men from starting a religious war. Women heartsick over sons, husbands and fathers lost to previous flare-ups unite to distract their men with clever ruses, from faking a miracle to hiring a... Read More

Where Do We Go Now?

Metascore
60
User score
Generally Favorable
7.5
My Score
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Metascore
60
52% Positive
13 Reviews
48% Mixed
12 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
May 9, 2012
91
The A.V. Club
What the film lacks in specificity and interest in taking sides, it makes up for in style, authentic emotion, and terrific performances.
May 25, 2012
75
The Globe and Mail (Toronto)
So the interrogative title is left to hover over the ending, as it does over all those tension-filled places near and far. Speaking as a foolish man, I had high hopes for these wise women – given the historic alternative, I still do.
May 10, 2012
70
Time
Could women stop war through the sedation of sex and drugs and a plot to bury every weapon in their community? Labaki has said she knows Where Do We Go Now? is a fantasy. But it's a good one, and this lovely film seems pertinent far beyond the landscape of the Middle East.
May 11, 2012
63
New York Post
It's a hodgepodge of subplots and wildly disparate tones that even Federico Fellini (to whose "Amarcord" Labaki also owes a debt) might have had trouble controlling.
May 9, 2012
58
Entertainment Weekly
The movie gets mired in these deceptive mechanics. It shows no curiosity about the hatred, so the characters seem less than whole.
May 10, 2012
50
Los Angeles Times
The film aims to be a gentle comedy (there are even some songs approaching musical numbers) with serious undercurrents. It stumbles most when reaching for its bigger themes.
May 8, 2012
40
Time Out
By the time the film takes a glib turn into role-switching farce - as Muslims become Christians and Christians become Muslims - the overall toothlessness of the satire becomes damningly apparent.
See All 25 Critic Reviews
User score
Generally Favorable
7.5
75% Positive
9 Ratings
25% Mixed
3 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
May 31, 2013
9
HaithamBayazeed
The plot is really good and interesting it focuses on serious problems, the acting is truthful and inspiring, the scenes are chilling and great, but after a second watch, I decided it has some few flaws that makes a minus to it's score, such as some boring scenes and an inconvenienced scenes, but overall it is a great watch and a funny one too!
Nov 25, 2012
9
knorbi
In the beginning it seems you are watching an adaptation Romeo and Juliet. Having a plot that focuses on a main issue,
See All 12 User Reviews
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  • Les Films des Tournelles
  • Pathé
  • Les Films de Beyrouth
  • United Artistic Group
  • Chaocorp
  • France 2 Cinéma
  • Prima TV
  • Doha Film Institute
  • Canal+
  • CinéCinéma
  • France Télévisions
  • Fonds Francophone de Production Audiovisuelle du Sud
  • Ministère Libanais de la Culture
  • Ginger Beirut Productions
May 11, 2012
1 h 50 m
PG-13
In a remote Lebanese Village women band together and cleverly scheme to prevent their men from killing each other.
Cannes Film Festival
• 2 Wins & 3 Nominations
Stockholm Film Festival
• 2 Wins & 3 Nominations
Oslo Films from the South Festival
• 1 Win & 2 Nominations
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