Directed by James Griffiths, this is the sort of hilarious heart-warmer that only comes around once or twice a year to offer a blessed break from darkness, snobbery and streaming schlock. It’s so easy to love, even if love doesn’t come easy for its characters.
The Ballad of Wallis Island is both modest and magical. One of its co-stars, Carey Mulligan, has described its tone as a “gentle euphoria.” That phrase perfectly expresses how this wonderful movie – directed by James Griffiths from a script by Tom Basden and Tim Key – transports us.
The Ballad of Wallis Island is the kind movie that makes it all look so easy — filmmaking, performance, mood, chemistry. It’s not going to dominate any cultural conversations, and probably won’t go the awards route, but it’ll touch your soul if you let it.
I’d call “Wallis Island” a contender for the most quotable film of the year but there are so many good lines stacked on top of each other, and so much giggling on top of that, it’s impossible to keep up with Key’s wordplay.
It’s a lovely, quirky tale, full of ruminations on regret, love coming from (and directed to) unexpected quarters, and a bizarre broken faucet that won’t not work.
Alive with plenty of droll British humor and with a music-filled, picturesque finale that is sincerely earned, The Ballad of Wallis Island is the best kind of crowd-pleaser: disarming, joyful and full of compassion for its oddball characters. This Sundance charmer doesn’t hit a false note.
Directed by James Griffiths, “Wallis Island” is warm, endearing and very funny, a quintessential indie smile-maker about nice, humble people adorably stumbling their way toward a little happiness.
Under the gentle hand of Griffiths, The Ballad of Wallis Island is both hilarious and delicate, never even making the buffoonish Charles simply a figure of mockery.
This is a movie about a relationship that deserves to be nurtured and cherished. The most wonderful feature of “The Ballad of Wallis Island” is that it’s not the relationship you’re expecting.