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- 2016
- PG-13
- Funimation Films
- 2 h
- 2016
- PG-13
- Funimation Films
- 2 h
Summary It’s a peaceful day in Japan when a strange fountain of water erupts in the bay, causing panic to spread among government officials. At first, they suspect only volcanic activity, but one young executive dares to wonder if it may be something different… something alive. His worst nightmare comes to life when a massive, gilled monster eme...
Directed By: Shinji Higuchi, Hideaki Anno
Written By: Hideaki Anno, Ishirô Honda, Takeo Murata
- 2016
- PG-13
- Funimation Films
- 2 h
- 2016
- PG-13
- Funimation Films
- 2 h
Shin Godzilla (Godzilla Resurgence)
66
7.4
Where to Watch
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Summary It’s a peaceful day in Japan when a strange fountain of water erupts in the bay, causing panic to spread among government officials. At first, they suspect only volcanic activity, but one young executive dares to wonder if it may be something different… something alive. His worst nightmare comes to life when a massive, gilled monster eme...
Directed By: Shinji Higuchi, Hideaki Anno
Written By: Hideaki Anno, Ishirô Honda, Takeo Murata
Where to Watch
Coming Soon
Not available in your country?
ExpressVPN
Get 3 Extra months free
$6.67/mth
Top Cast
Metascore
Generally Favorable Based on 15 Critic Reviews
66
60% Positive
9 Reviews
9 Reviews
40% Mixed
6 Reviews
6 Reviews
0% Negative
0 Reviews
0 Reviews
Metascore
Generally Favorable Based on 15 Critic Reviews
66
60% Positive
9 Reviews
9 Reviews
40% Mixed
6 Reviews
6 Reviews
0% Negative
0 Reviews
0 Reviews
Oct 11, 2016
You shouldn't watch Shin Godzilla for Godzilla alone. He's not really the star of the film—Yaguchi and the rest of his human adversaries are. They credibly resist the end of the world with ingenuity and teamwork, making Shin Godzilla just as winningly optimistic as it is pleasurably eccentric.
Oct 12, 2016
So, yes, Shin Godzilla is dialogue-heavy, and sometimes it fails to make much sense. And after that knockout battle scene in the middle of the film, the end conflict is a little anticlimactic, especially for Western audiences used to a lone hero sacrificing themselves to save the day instead of the successful execution of a coordinated team effort.
User Score
Generally Favorable Based on 224 User Ratings
7.4
74% Positive
165 Ratings
165 Ratings
17% Mixed
38 Ratings
38 Ratings
9% Negative
21 Ratings
21 Ratings
User Score
Generally Favorable Based on 224 User Ratings
7.4
74% Positive
165 Ratings
165 Ratings
17% Mixed
38 Ratings
38 Ratings
9% Negative
21 Ratings
21 Ratings
Oct 21, 2024
i loved this movie, the effect were very impressive and the story was great, i greatly enjoyed this film.
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Jul 31, 2023
"Shin Godzilla" (2016) é uma obra-prima do cinema kaiju, trazendo uma revitalização moderna do icônico Rei dos Monstros, Godzilla, para o público contemporâneo. Com direção magistral de Hideaki Anno e Shinji Higuchi, o filme oferece uma visão arrebatadora da ameaça que o gigantesco monstro representa para o Japão e o mundo. A trama instigante se inicia com uma série de eventos misteriosos na Baía de Tóquio, criando um suspense magistral que mantém o público à beira dos assentos. A emergência do monstro desencadeia caos e destruição, apresentando um realismo tenso nas tentativas fracassadas de detê-lo. O filme critica e satiriza a burocracia e ineficácia governamental, mostrando como essas falhas podem agravar crises. A lentidão da resposta e a interferência burocrática são retratadas de forma marcante, refletindo a realidade de situações de crise no mundo real. A direção conjunta de Anno e Higuchi cria uma atmosfera claustrofóbica, mergulhando o público no caos. As cenas de pânico e caos são intensificadas pela fotografia, aumentando a sensação de vulnerabilidade e medo das pessoas em meio à destruição. A representação das cenas militares demonstra pesquisa minuciosa, com uma abordagem precisa dos equipamentos e ações, conferindo autenticidade e realismo técnico às cenas de combate. Os personagens são bem desenvolvidos, representando diferentes facetas da sociedade japonesa. O núcleo dos "sem-burocracia" simboliza a importância de inovação e trabalho em equipe diante de desafios. A união entre militares e políticos é ressaltada, destacando a relevância da cooperação em tempos de crise. A representação de Godzilla é magnífica, apresentando uma estética grotesca e assustadora que o torna uma força da natureza imparável. O filme o retrata como uma vítima das ações humanas, adicionando complexidade emocional ao personagem. A trilha sonora de Shiro Sagisu é fundamental para a experiência cinematográfica, transmitindo emoções e complementando a narrativa. A combinação de composições originais com melodias clássicas de Akira **** eleva a experiência a novas alturas. "Shin Godzilla" vai além do gênero de monstros, sendo uma celebração da esperança e união da humanidade em momentos adversos. O filme reflete sobre a resiliência humana em crises e critica as falhas burocráticas e políticas. Com uma narrativa envolvente, personagens cativantes e representação memorável do Rei dos Monstros, é uma verdadeira obra-prima do cinema de kaiju, recomendada para fãs de Godzilla e apreciadores de filmes impactantes e emocionais.
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Oct 3, 2016
The Original Gangsta Lizard gets a largely satisfying reboot in Shin Godzilla, a surprisingly clever monster mash best described as the “Batman Begins” of Zilla Thrillers.
Oct 12, 2016
If this fun but frequently exasperating new chapter in Godzilla’s never-ending story feels like a major anomaly, its eccentricities are what best allow it to channel the forward-thinking urgency of Honda’s original.
Aug 21, 2025
The film's first act makes you think the Japanese forces trying to stop Godzilla will eventually thin out and reveal someone the movie will focus on. But that doesn't happen, and the result is a film without an onscreen focal point.
Oct 20, 2016
It’s never stuffy – J-Rock guitar solos wail over science research montages – just a bit overlong and too involved in the judicial process.
Oct 11, 2016
Despite the movie's darker tone, there's still room for humor when you have rooms full of diplomats and scientists discussing how to contend with a "giant unidentified creature."
Sep 22, 2024
Toho does their thing in the famed studio's first-ever complete Godzilla reboot. Still, it feels like a thematic kin to preceding films, with a heavy emphasis on human interest stories and military maneuvers, plus a heavy-handed topical metaphor that clumsily attempts to peer beneath the superficial story. This time, rather than alluding to the physical destruction and psychological damage of Hiroshima and Nagasaki, the mile-high monster provides an example of slow government response and political mismanagement during more recent times of crisis. The **** disaster, for instance. It's an inspired film, with some good ideas (Godzilla's slow metamorphosis from wriggling, serpent-like creature with googly eyes to hardened, lumbering, radiating beast on two legs is particularly cool) but it falls well short of potential. We spend roughly three-quarters of the film in a dull, fluorescent-lit government office, which is just as drab and boring as it seems, and the accompanying acting is downright dreadful. Not a lick of charisma or personality to anyone. There's also far too much text on the screen at any given time, with every stiff government suit or neighboring conference room named with precise, exhaustive detail. Even if I weren't trying to get through the rapid-fire subtitles, that would've been too much. Most of the visual design work is good enough, although Godzilla never quite feels like he occupies the same plane as his human counterparts and that somewhat **** the illusion. For the most part, though, he's just window dressing. We dart over to see where he's at for a moment, then get straight back to tedious strategic planning sessions. There was potential here, loads of it, but focus is constantly placed in the wrong spot and the result is about fifteen minutes of really entertaining footage amidst two hours of empty dialogue and drab meeting rooms.
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Oct 12, 2016
This was bad. They really tried but failed. 1) No enemy monster to fight. Only (in this case) a useless Japanese Self Defense Force (JSDF) being ordered by an inept PM who refused to make a decision unless you put a gun to his head. They tried but it was too little too late. The politics in this film were WAY overblown. We get it. Your politicians are old and feeble. The mutation special effects were a joke. It's like the movie makers spent every penny on special effects for this atomic breath and other attacks and decided that was good enough. Well..maybe for a 6 yr old it is. There were a couple laughs in there and a couple cool effects but overall it flopped. It was 50% bureaucracy, 25% action and 25% "why did they do that? or Why didn't they do anything?" Stay away from this one. Google "shin Godzilla ending ???" for another problem with the film.
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Production Company
- Cine Bazar
- Khara Corporation
- Toho Pictures
- Toho
Release Date Oct 11, 2016
Duration 2 h
Rating PG-13
Tagline A god incarnate. A city doomed.
Awards
Awards of the Japanese Academy
• 7 Wins & 11 Nominations
Mainichi Film Concours
• 3 Wins & 3 Nominations
Asian Film Awards
• 1 Win & 2 Nominations
