Pilgrimage

For all its bloody and violent genre trappings, Pilgrimage — directed by Brendan Muldowney and written by Jamie Hannigan — is a gorgeously shot film that carefully renders the details of this fascinating historical period.

Holland does fine work as the novice, but it’s Bernthal who owns the screen as The Mute, who will protect the relic and his brothers at all costs. It’s fiercely effective work.

Pilgrimage is the kind of movie one fears is going out of style forever. A historical action drama, serious in tone and intent but also invested in delivering movie-movie thrills.

Bernthal’s resolute, fearsome and touching performance make this Pilgrimage well worth the journey.

Pilgrimage travels quite far on the momentum provided by a series of reveals. Each shifts the film’s stakes significantly enough that we look forward to the next divulgence as much as the succeeding battle scene. It ultimately stumbles when it reaches for depth, arriving at a hollow conclusion that mistakes cynicism for profundity.

Pilgrimage alternates long stretches of tedium with ultra-violent sequences that have the feel of medieval torture porn.

The film remains too uncompromisingly black and white as a character study and a story of the conflicts of faith.